| Jean-Paul Belmondo | ... | Louis Mahé | |
| Catherine Deneuve | ... | Julie Roussel / Marion Vergano | |
| Nelly Borgeaud | ... | Berthe | |
| Martine Ferrière | ... | Landlady | |
| Marcel Berbert | ... | Jardine | |
| Yves Drouhet | ... | Detective | |
| Michel Bouquet | ... | Comolli | |
| Roland Thénot | ... | Richard |
Directed by | |||
| François Truffaut | |||
Writing credits | ||
| Cornell Woolrich | (based on the novel by) (as William Irish) | |
| François Truffaut | (adaptation and dialogue) | |
Produced by | |||
| Marcel Berbert | .... | executive producer | |
Original Music by | |||
| Antoine Duhamel | |||
Cinematography by | |||
| Denys Clerval | |||
Film Editing by | |||
| Agnès Guillemot | |||
Production Design by | |||
| Claude Pignot | |||
Set Decoration by | |||
| Claude Pignot | |||
Makeup Department | |||
| Jean-Pierre Eychenne | .... | assistant makeup artist | |
Production Management | |||
| François Menny | .... | unit production manager | |
| Claude Miller | .... | production manager (as Claude Miler) | |
| Roland Thénot | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jean-José Richer | .... | assistant director | |
Art Department | |||
| Jean-Claude Dolbert | .... | property master | |
Sound Department | |||
| Guy Chichignoud | .... | sound mixer | |
| René Levert | .... | sound | |
Camera and Electrical Department | |||
| Louis Balthazard | .... | key grip | |
| Jean Chiabaut | .... | camera operator | |
| Claude Rouxel | .... | chief electrician | |
Costume and Wardrobe Department | |||
| Yves Saint-Laurent | .... | dresses: Catherine Deneuve | |
Other crew | |||
| Suzanne Schiffman | .... | script girl | |
Thanks | |||
| Jean Renoir | .... | dedicatee | |
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| Original Sin | Deadly Circuit | The Last Seduction | Gone with the Wind | Kings & Queen |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
On the surface, Francois Truffaut's Mississippi Mermaid is a taut, well- made Hitchcockian thriller that features good looking actors (including the alluring, icy blonde), exciting chases and bizarre circumstances. However, Truffaut gives the story his own twist by focusing on the characteristic of obsession and how it claws at the protagonist and affects his judgment.
Jean-Paul Belmondo puts aside his typical suave and cool demeanor to play a wealthy but lonely and somewhat naive tobacco plantation owner who puts in a request for a mail-order bride, only to discover that she looks like Catherine Deneuve. Naturally, he is taken under her spell and soon discovers she is much more duplicitous than he expected. Many film lovers may know this story better as it was remade in 2001 with Antonio Banderas and Angelina Jolie as Original Sin. Despite having not seen that film, I am confident it cannot be better than this version for two reasons. First of all, Truffaut is a much better director, able to seemingly tie all these various strings together into a coherent and plausible story. Second, there is no way Banderas and Jolie could match the sizzling chemistry between Belmondo and Deneuve. They are capable of being remarkably sexy and sultry without resorting to complete nakedness. This is a sign of true thespian abilities.
While not one of Truffaut's stronger works such as his Antoine Doinel series or Jules and Jim, it is still an entertaining romantic thriller that manages to be both romantic and thrilling. Given the status of many of these types of films recently, there is plenty of reason to revisit this New Wave example.