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Mississippi Mermaid (1969)
"La sirène du Mississipi" (original title)

GP  -  Crime | Drama | Romance  -  18 June 1969 (France)
7.1
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Ratings: 7.1/10 from 3,550 users  
Reviews: 23 user | 23 critic

Louis Mahe is a tobacco planter at Reunion Island. He is waiting for Julie Roussel to marry her. He only knows her by mail. The woman that comes does not like the picture he got, but he ... See full summary »

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(based on the novel by), (adaptation)
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Title: Mississippi Mermaid (1969)

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Cast

Complete credited cast:
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Nelly Borgeaud ...
Martine Ferrière ...
Marcel Berbert ...
Yves Drouhet ...
...
Roland Thénot ...
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Storyline

Louis Mahe is a tobacco planter at Reunion Island. He is waiting for Julie Roussel to marry her. He only knows her by mail. The woman that comes does not like the picture he got, but he marries her anyway. Soon, she flees with Louis' money. She was not the real Julie Roussel but Marion. Louis tries to find her... Another Truffaut's film about passion. Written by Yepok

Plot Summary | Plot Synopsis

Genres:

Crime | Drama | Romance

Certificate:

GP | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

Release Date:

18 June 1969 (France)  »

Also Known As:

Mississippi Mermaid  »

Box Office

Budget:

$1,600,000 (estimated)

Opening Weekend:

$3,668 (USA) (10 July 2009)

Gross:

$26,893 (USA) (18 March 2011)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film is dedicated to Jean Renoir. See more »

Goofs

When the disc Marion has recorded is run over in the street and shattered, she kneels to retrieve the pieces; at first her right knee is uppermost, but then suddenly her left knee is higher, as she stands. See more »

Connections

Version of Original Sin (2001) See more »

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User Reviews

 
Something of an anomaly in romantic thrillers.
7 July 2011 | by (United States) – See all my reviews

On the surface, Francois Truffaut's Mississippi Mermaid is a taut, well- made Hitchcockian thriller that features good looking actors (including the alluring, icy blonde), exciting chases and bizarre circumstances. However, Truffaut gives the story his own twist by focusing on the characteristic of obsession and how it claws at the protagonist and affects his judgment.

Jean-Paul Belmondo puts aside his typical suave and cool demeanor to play a wealthy but lonely and somewhat naive tobacco plantation owner who puts in a request for a mail-order bride, only to discover that she looks like Catherine Deneuve. Naturally, he is taken under her spell and soon discovers she is much more duplicitous than he expected. Many film lovers may know this story better as it was remade in 2001 with Antonio Banderas and Angelina Jolie as Original Sin. Despite having not seen that film, I am confident it cannot be better than this version for two reasons. First of all, Truffaut is a much better director, able to seemingly tie all these various strings together into a coherent and plausible story. Second, there is no way Banderas and Jolie could match the sizzling chemistry between Belmondo and Deneuve. They are capable of being remarkably sexy and sultry without resorting to complete nakedness. This is a sign of true thespian abilities.

While not one of Truffaut's stronger works such as his Antoine Doinel series or Jules and Jim, it is still an entertaining romantic thriller that manages to be both romantic and thrilling. Given the status of many of these types of films recently, there is plenty of reason to revisit this New Wave example.


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