Louis Mahe is a tobacco planter at Reunion Island. He is waiting for Julie Roussel to marry her. He only knows her by mail. The woman that comes does not like the picture he got, but he ... See full summary »
Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives ... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
During the hot summer, 5 kids, "Les Mistons", spy on two lovers. They follow Gerard and Bernadette everywhere. Les Mistons send a suggestive postcard to Bernadette once Gerard is away. But ... See full summary »
Jean Lerat de la Grignotière is as full of himself as his name is long. Heeding (somewhat reluctantly to be true) the call of the Motherland he goes to the barracks where he is to ... See full summary »
Claude de Givray,
Christian de Tillière,
This short film is the first segment of five in the multinational feature Love at Twenty (1962), all five segments on the theme of first adult love. After indulging in much delinquency in ... See full summary »
Louis Mahe is a tobacco planter at Reunion Island. He is waiting for Julie Roussel to marry her. He only knows her by mail. The woman that comes does not like the picture he got, but he marries her anyway. Soon, she flees with Louis' money. She was not the real Julie Roussel but Marion. Louis tries to find her... Another Truffaut's film about passion. Written by
Quite uniquely, Truffaut chose to shoot the film almost completely in chronological order, the reason being that he found the relationship between the two main characters so important that he wanted it to develop in a natural way. He actually spent the nights re-writing the scenes he would film the next day, to follow the dynamics between the leading couple. See more »
When the disc Marion has recorded is run over in the street and shattered, she kneels to retrieve the pieces; at first her right knee is uppermost, but then suddenly her left knee is higher, as she stands. See more »
[Having doubts, after Louis has hidden money in their apartment]
Do you think the maid looks honest?
You see evil everywhere.
I don't see evil everywhere. It *is* everywhere.
See more »
Horrible Title, wanders a bit, remains interesting.
This must be one of the most horribly titled films of all time. The kind of title that ruins a film because it neither evokes the plot nor the characters. A title like this makes a film flop, even the French title is not much better. Too bad - Truffaut & Deneuve must have been enough to sell it..
This is a long film, but largely worth it. Clearly influenced by Hitchcock, we have an intercontinental story about a personal ad bride, her rich husband, a theft, an identity switch, and obsessive love. The plot here is actually very good, and takes us on an unexpected trip.
The thing that works both for and against the movie is the focus on the relationship. It is an interesting study in how these plot developments are played out in "real life relationship" with these two people. Unfortunately, this is what bogs the film down, and makes it ultimately dissatisfying. We do like films to have a real sense of finality, and that is missing here.
It was the case in many of her films that Deneuve became a canvas for Directors to play their fantasies out on, and this time it doesn't work as well. Messy here, is the fact that the Director clearly just wanted to have Deneuve take her top off a few times. Deneuve is an actress who always seems very deliberate and thoughtful, so these attempts to make her seem spontaneous fall flat.
Basically, the script needed to be worked out better before shooting began, to make this film tighter and shorter and to snap. But Truffaut didn't snap, did he? So - it wanders a bit, but remains interesting.
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