Davey Haggart is quite certain of his paternity (even if nobody else is) and determined to emulate his father, a notorious rogue and highwayman. This includes breaking a man out of Stirling... See full summary »
In Fort Lamy, French Equitorial Africa, idealist Morel launches a one-man campaign to preserve the African elephant from extinction, which he sees as the last remaining "roots of Heaven." ... See full summary »
Townsend Harris is sent by President Pierce to Japan to serve as the first U.S. Consul-General to that country. Harris discovers enormous hostility to foreigners, as well as the love of a ... See full summary »
China Valdes joins the Cuban underground after her brother is killed by the chief of the secret police, Ariete. She meets and falls in love with American expatriate Tony Fenner. Tony ... See full summary »
This pseudo-biographical movie depicts 5 years from 1885 on in the life of the Viennan psychologist Freud (1856-1939). At this time, most of his colleagues refuse to cure hysteric patients,... See full summary »
A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western. With the aid of an old law text and ... See full summary »
A former getaway driver from Chicago (George C. Scott) has retired to a peaceful life in a Portuguese fishing village. He is asked to pull off one last job, involving driving a dangerous ... See full summary »
George C. Scott,
Trish Van Devere
Davey Haggart is quite certain of his paternity (even if nobody else is) and determined to emulate his father, a notorious rogue and highwayman. This includes breaking a man out of Stirling jail, holding up the stagecoach, and robbing the Duke of Argyll, among other feats. Unfortunately, he is handicapped by the fact that his childhood playmate Annie is equally determined to track him down and save his soul... Written by
In his 2008 memoir. "I Thought We Were Making Movies, Not History," producer Walter Mirisch says that he vetoed John Huston's desire to use his daughter Anjelica Huston as his leading lady opposite John Hurt in "Sinful Davey," the story of a Scottish rakehell. Mirisch was worried that the inexperienced Huston, who had appeared in only one other film at the time, A Walk with Love and Death (1969), also directed by her father, would have to adopt a Scottish accent for the role. In addition, Mirisch felt that "...her appearance was rather more Italian than Scottish, and in stature she towered over John Hurt. John and I then had a serious falling out about casting Angelica." (For the record, Angelica is officially listed as 5'10" tall and Hurt at 5'9".) The producer and his director butted heads over Huston's insistence that his daughter play the female lead, but Huston finally capitulated, and Pamela Franklin was cast instead. (Angelica Huston appears in the finished film in an uncredited bit part.) The picture flopped, but Mirisch believed that the casting of the leading lady had nothing to do with it. See more »
When fame comes to a man at so early an age, it can only be deserved.
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Pleasant but ultimately disappointing comedy from Huston about a highwayman named Davey (John Hurt) who wants to be like his father even though his father got killed for his lifestyle. Davey goes on one adventure after another as he gets closer and closer to danger but thankfully the woman (Pamela Franklin) who loves him is constantly showing up to save him. Apparently this film had two different previews, both disasters yet Huston refused to edit the film so the producer had to do it for him. This, in return, set Huston off who pretty much disowned the version that was eventually released and seen here. I don't believe Huston's version has ever been released or seen since those two previews but one has to wonder if anything longer than what's here could have been taken by anyone. I should say, anyone but Huston because while watching this comedy I couldn't help but imagine Huston sitting in his chair, smoking a cigar and laughing his butt off at everything on the screen. The movie remains pleasant from start to finish because of Hurt's fine performance and the loving care that obviously went into making it but in the end there's just not enough laughs. The movie is technically impressive and I really did love the pacing and style that Huston made it. The movie has an old-fashioned look that perfectly suits the situations and the pacing is fast just like the main character. Hurt is obviously having a lot of fun in the film as he's perfectly fine as the dashing young man who won't stop until someone else stops him. Franklin isn't too bad either and we get Nigel Davenport and Ronald Fraser turning in fine work. Look quick for Huston's daughter Angelica. This film was based on a true story and I couldn't help but think the book probably had a lot of stuff that didn't make it into the movie but I also figured a lot of it might not have worked and just got cut out. Either way, this is an interesting piece from Huston but the lack of laughs pretty much kill it.
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