Davey Haggart is quite certain of his paternity (even if nobody else is) and determined to emulate his father, a notorious rogue and highwayman. This includes breaking a man out of Stirling...
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Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic ... See full summary »
China Valdes joins the Cuban underground after her brother is killed by the chief of the secret police, Ariete. She meets and falls in love with American expatriate Tony Fenner. Tony ... See full summary »
In Fort Lamy, French Equitorial Africa, idealist Morel launches a one-man campaign to preserve the African elephant from extinction, which he sees as the last remaining "roots of Heaven." ... See full summary »
Townsend Harris is sent by President Pierce to Japan to serve as the first U.S. Consul-General to that country. Harris discovers enormous hostility to foreigners, as well as the love of a ... See full summary »
A former getaway driver from Chicago (George C. Scott) has retired to a peaceful life in a Portuguese fishing village. He is asked to pull off one last job, involving driving a dangerous ... See full summary »
George C. Scott,
Trish Van Devere
Cinecitta, the huge movie studio outside Rome, is 50 years old and Fellini is interviewed by a Japanese TV crew about the films he has made there over the years as he begins production on ... See full summary »
Davey Haggart is quite certain of his paternity (even if nobody else is) and determined to emulate his father, a notorious rogue and highwayman. This includes breaking a man out of Stirling jail, holding up the stagecoach, and robbing the Duke of Argyll, among other feats. Unfortunately, he is handicapped by the fact that his childhood playmate Annie is equally determined to track him down and save his soul... Written by
Producer Walter Mirisch complains that director John Huston's acted unprofessionally in the post-production period after the shooting of "Sinful Davey." The initial preview of Huston's cut of the film in New York was disastrous, and Huston refused to cut the film after attending another preview, informing Mirisch via his agent that "he liked it just the way it is." Huston's agent informed Mirisch that his client "didn't see any reason to be present at previews." United Artists, which financed the film, was upset over the previews and demanded a re-edit. Huston refused to re-cut the picture, and the re-editing process was overseen by Mirisch. "Sinful Davey" was a failure at the box office after it was released. In his 2008 memoir, "I Thought We Were Making Movies, Not History," Walter Mirisch writes that, "John Huston, in his autobiography, said that he was aghast when he saw what I had done in the re-editing of his picture. Responding to preview criticism, I had tried to make it less draggy and more accessible to American audiences.... I saw John Huston again on a couple of occasions, many years after the release of "Sinful Davey," and he was very cold, as I was to him. I thought his behavior in abandoning the picture was unprofessional." The two, who had worked together on Huston's 1956 adaptation of Herman Melville's Moby Dick (1956), never collaborated again. See more »
When fame comes to a man at so early an age, it can only be deserved.
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SINFUL DAVEY is based on the true story of Scottish highwayman and thief Davey Haggart (played by a very young John Hurt), who wants to be just like his deceased (guess how he died) father.
It is a light-hearted movie that really is neither very spectacular nor special, but is very well-done. A nice movie to see on a rainy afternoon, to say it with a cliché. The film has good performances all around (especially Hurt and Franklin) and some funny bits. It is however nowhere near as funny as the recent ORDINARY DECENT CRIMINAL (also based on a true story).6/10
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