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Double Suicide (1969)
"Shinjû: Ten no Amijima" (original title)

 -  Drama  -  11 February 1970 (USA)
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Ratings: 7.7/10 from 1,059 users  
Reviews: 9 user | 19 critic

In 18th Century in Japan, the paper merchant Jihei (Kichiemon Nakamura) falls in love for the courtesan Koharu (Shima Iwashita), but he can not afford to redeem her from her master and ... See full summary »


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Title: Double Suicide (1969)

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Cast overview, first billed only:
Kichiemon Nakamura ...
Koharu / Osan
Shizue Kawarazaki ...
Osan's mother
Tokie Hidari ...
Sumiko Hidaka ...
Yûsuke Takita ...
Hôsei Komatsu ...
Takashi Sue ...
Store owner
Masashi Makita ...
Makoto Akatsuka ...
Unko Uehara ...
Shinji Tsuchiya ...
Kaori Tozawa ...
Yoshi Katô ...
Kamatari Fujiwara ...


In 18th Century in Japan, the paper merchant Jihei (Kichiemon Nakamura) falls in love for the courtesan Koharu (Shima Iwashita), but he can not afford to redeem her from her master and owner of the brothel, since he spent all his money in the place with Koharu. Jihei's wife Osan tries to keep her husband with his two children and asks Koharu to leave him. The two lovers make a pact of double suicide to escape from the rigid rules of the Japanese society of 1720 and stay together after death. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Not Rated

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Release Date:

11 February 1970 (USA)  »

Also Known As:

Double Suicide  »

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Aspect Ratio:

1.37 : 1
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Referenced in 100 Years of Japanese Cinema (1995) See more »

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User Reviews

Double Suicide Review
11 November 2008 | by (United States) – See all my reviews

Stemming from a Japanese puppet play from the 1700's, Double Suicide stands tall and beautiful as a new wave love story similar to that of "Romeo and Juliet" on the surface. Masahiro Shinoda takes some risky strides in his directing by utilizing a series of dark "puppet master" characters to linger in the majority of all scenes alluding to the story in its earliest form. This concept manages to workout wonderfully by some miracle and really compliments the thematic elements of the film as we watch the cast manipulate one another or "pull each other's strings." The performances are all stellar in this film as Shinoda makes sure to direct each to have a very vacant and detached approach to their roles allowing their characters to fall into the deceit of one another. Jihei, (Kichiemon Nakamura), is perfect in his dark conviction of his immoral affair with a 19 year old prostitute (Shima Iwashita), while still attempting to maintain a healthy relationship with his too-loyal wife Osan (also played by Shima Iwashita). Osan takes the feminist's nightmare role of a wife whom stands by her husband's side and is supportive of his every wrong-doing. The prostitute, Koharu, balances the relationship by playing the role of a friend to the wife and promising to end her affair while professing her never-ending love for Jihei when Osan is out of the picture. Everyone shares a shifting balance of power, control, and love for one another really adding up to the thrilling climax of this film.

Visually, this film is just as outstanding as is its narrative. The cinematographer plans his shots smart by finding the ideal balance for including the puppet masters in appropriate shots. This is a film full to the brim of wide and establishing shots with puppet masters cleverly tucked in the distant background of each frame opposed to using unnecessary close-ups. This is most similar to how puppet masters in the original puppet play productions would remain shielded in the darkness of the stage to remain being seen as little as possible.

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