The incredible adventures of Aladdin as he travels through the Middle East in search of love, fortune, and power.




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Credited cast:
Sachiko Itô ...
Madhya (voice)
Haruko Katô ...
The Genie (voice)
Noboru Mitani ...
Jin (voice)
Rest of cast listed alphabetically:
Hiroshi Akutagawa ...
Budley (voice)
Takako Ando ...
Amazon (voice)
Yukio Aoshima ...
Shûsaku Endô ...
Isao Hashizume ...
Kunika Kizaki ...
The Quack Doctor (voice)
Asao Koike ...
Sakyo Komatsu ...
Takehiko Maeda ...
Horse Race Spectators (voice)
Noboru Mitsuya ...
Gin (voice)
Chinpei Nozue ...
Horse Race Spectators (voice)


The incredible adventures of Aladdin as he travels through the Middle East in search of love, fortune, and power.

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Release Date:

14 June 1969 (Japan)  »

Also Known As:

One Thousand and One Arabian Nights  »

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Production Co:

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Technical Specs


| (English dubbed)



Aspect Ratio:

2.35 : 1
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Did You Know?


First animated film to receive the X-rating in the US. See more »

Crazy Credits

There are no ending credits and no 'THE END' title. The film simply fades to black after the final scene. See more »

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User Reviews

Aladdin on acid
27 August 2012 | by (Canada) – See all my reviews

One Thousand and One Nights belongs to the early era of anime, and broke ground in two directions, establishing animation as a possible medium for both mature content (there's a lot of sex) and serious artistic expression. It may be a bit of a leap to attribute all of the great animated films that rise above meaningless kiddie fare to this weird counterculture mash-up, but it certainly suggests that the idea of animation for adults is nothing new. But maybe all of this is expected in a film that Osamu Tezuka, who did the work of several lesser geniuses in his lifetime, had a large hand in creating.

One Thousand and One Nights is a largely impressionistic film -- there is a plot, but it's meandering and kind of meaningless, a very loose adaptation of the Arabian Nights. The animation frequently veers into the experimental, such as incorporating live-action shots of the ocean, or the downright non-representational, such as a polygonal love sequence. Other sequences are just delightful off-kilter cartoon mayhem, like a ridiculously involved duel between wizards. The influence of 60s counterculture is obvious, but I think New Wave cinema is also an inspiration here.

The most obvious flaw is one that will make a lot of people turn away instantly, which is the rather blatant racism and sexism, best exemplified in the crude Arab caricatures. (On the other hand, Disney's Aladdin was pretty racist too, and everyone loved that.) It's also a baggy film, with its 2+-hour running time unheard of for anime, and there are undeniably some parts where it drags. But for the most part it's easy to get caught up in the groove of the film, driven by psychedelic music and images as well as an irrepressible sense of play. And that groove is a very fun place to be. On top of that, any fan of animation owes it to themselves to track down this strange and forgotten gem.

4 of 5 people found this review helpful.  Was this review helpful to you?

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