| Vincent Price | ... | Dr. Browning | |
| Christopher Lee | ... | Fremont | |
| Peter Cushing | ... | Major Heinrich Benedek | |
| Alfred Marks | ... | Detective Supt. Bellaver | |
| Michael Gothard | ... | Keith | |
| Christopher Matthews | ... | Dr. David Sorel | |
| Judy Huxtable | ... | Sylvia | |
| Anthony Newlands | ... | Ludwig | |
| Kenneth Benda | ... | Prof. Kingsmill | |
| Marshall Jones | ... | Konratz | |
| Uta Levka | ... | Jane | |
| Yutte Stensgaard | ... | Erika | |
| Julian Holloway | ... | Detective Constable Griffin | |
| Judy Bloom | ... | Helen Bradford (as Judi Bloom) | |
| Peter Sallis | ... | Schweitz | |
| Clifford Earl | ... | Detective Sgt. Jimmy Joyce | |
| Nigel Lambert | ... | Ken Sparten | |
| David Lodge | ... | Detective Inspector Phil Strickland | |
| Amen Corner | ... | Themselves | |
| rest of cast listed alphabetically: | |||
| Andy Fairweather-Low | ... | Singer (as Amen Corner) | |
| Blue Weaver | ... | Organist (as Amen Corner) | |
| Kay Adrian | ... | Nurse (uncredited) | |
| Edgar D. Davies | ... | Rogers (uncredited) | |
| Rosalind Elliot | ... | Valerie (uncredited) | |
| Leslie Ewin | ... | Tramp (uncredited) | |
| Lee Hudson | ... | Matron (uncredited) | |
| Stephen Preston | ... | Fryer (uncredited) | |
| Lincoln Webb | ... | Wrestler (uncredited) | |
Directed by | |||
| Gordon Hessler | |||
Writing credits | ||
| Christopher Wicking | (screenplay) | |
| Peter Saxon | (novel "The Disorientated Soul") | |
Produced by | |||
| Louis M. Heyward | .... | executive producer | |
| Max Rosenberg | .... | producer (as Max J. Rosenberg) | |
| Milton Subotsky | .... | producer | |
Original Music by | |||
| David Whitaker | (as David Whittaker) | ||
Cinematography by | |||
| John Coquillon | |||
Film Editing by | |||
| Peter Elliott | |||
Production Design by | |||
| Bill Constable | |||
Art Direction by | |||
| Don Mingaye | |||
Makeup Department | |||
| Jimmy Evans | .... | makeup artist (as Jimmie Evans) | |
| Betty Sherriff | .... | hair stylist | |
Production Management | |||
| Teresa Bolland | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ariel Levy | .... | assistant director | |
Art Department | |||
| Scott Slimon | .... | set dresser | |
| Bill Waldron | .... | construction manager | |
Sound Department | |||
| Michael P. Redbourn | .... | dubbing editor (as Michael Redbourn) | |
| Bert Ross | .... | sound | |
| Hugh Strain | .... | dubbing mixer | |
Stunts | |||
| Joe Wadham | .... | stunt driver | |
Camera and Electrical Department | |||
| Les Young | .... | camera operator | |
Costume and Wardrobe Department | |||
| Evelyn Gibbs | .... | wardrobe supervisor | |
Music Department | |||
| Shel Talmy | .... | musical director | |
| David Whitaker | .... | conductor (as David Whittaker) | |
Other crew | |||
| Eileen Head | .... | continuity | |
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| Magnum Force | The Texas Chainsaw Massacre | Se7en | Stage Fright | Taking Lives |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Gordon Hessler was not all that great a director. He wasn't particularly good at setting up interesting shots or getting good performances out of his actors, but occasionally he managed by default to create a movie that was so completely off-the-wall and bizarre that those shortcomings could be forgotten.
SCREAM AND SCREAM AGAIN is a good example of that. It is by no means a good movie; in fact, it's really pretty bad. But you literally have no idea where it's headed, and by the time you get there, even though it's a tad underwhelming, it's still just oddball enough to keep you hooked.
Basically, it's the story of a serial killer who preys on bar-hopping women, and who, incidentally, seems to have superpowers of some sort. Or, maybe it's the story of a military conspiracy of some sort? Or is it the story of some kind of body parts black market? Believe it or not, all these seemingly unrelated plotlines eventually come together, and it's a wacky ride all the way.
The biggest disappointment for me, is the scarce screen time of headliners Vincent Price, Christopher Lee and Peter Cushing. They literally have less than twenty minutes of screen time combined, and only Lee and Price even appear together, in one very brief scene. The main characters seem to be a disgruntled Scotland Yard detective, and a younger, less cynical police officer.
I recommend this movie to any fan of AIP or any of the three horror stars, but most people will not have the patience to sit through it. Fans will enjoy it, if only for it's sheer weirdness.