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Fellini Satyricon (1969)

Fellini - Satyricon (original title)
A series of disjointed mythical tales set in first century Rome.

Director:

Writers:

(book), (adaptation) | 2 more credits »
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Nominated for 1 Oscar. Another 5 wins & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Salvo Randone ...
...
Trimalcione (as Il Moro)
...
Fortunata
...
Trifena
Alain Cuny ...
Fanfulla ...
Vernacchio
...
Scintilla (as Danica la Loggia)
Giuseppe Sanvitale ...
Abinna
Genius ...
Liberto arricchito
...
La matrona
Joseph Wheeler ...
Il suicida (as Joseph Weelher)
...
La schiavetta
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Storyline

In first century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings and split up. The boy, allowed to choose who he goes with, chooses Ascilto. Only a sudden earthquake saves Encolpio from suicide. We follow Encolpio through a series of adventures, where he is eventually reunited with Ascilto, and which culminates in them helping a man kidnap a hermaphrodite demi-god from a temple. The god dies, and as punishment Encolpio becomes impotent. We then follow them in search of a cure. The film is loosely based on the book Satyricon by Gaius Petronius Arbiter, the "Arbiter of Elegance" in the court of Nero. The book has only survived in fragments, and the film reflects this by being very fragmentary itself, even stopping in mid-sentence. Written by Steven Pemberton <Steven.Pemberton@cwi.nl>

Plot Summary | Plot Synopsis

Taglines:

Rome. Before Christ. After Fellini. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

11 March 1970 (USA)  »

Also Known As:

Fellini Satyricon  »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(DeLuxe)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When asked why both the leading roles were played by foreign actors and not Italians, Federico Fellini replied. "Because there are no Italian homosexuals." See more »

Goofs

In one version, Joseph Wheeler is credited as 'Joseph Weelher'. See more »

Quotes

Eumolpo: All those named as beneficiaries in my will, except the freemen, will come into possession of all I've left behind on the condition they rip my body into pieces and eat me in full view of everyone. I urge my friends not to reject my invitation but to devour my body with the same enthusiasm with which they sent my soul to hell.
See more »

Connections

Featured in Film Night: The Secret World of Federico Fellini (1972) See more »

Soundtracks

The Drums for the Niegpadouda Dance
From Anthology of Music of Black Africa
Recorded by Everest Records
Arranged by Bernard C. Salomon
Published by Arvon Music
See more »

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User Reviews

 
Ahem...
14 July 2003 | by (Soyland) – See all my reviews

"Satyricon" is among the weirdest and most colorful, larger-than-life movies I've ever seen, along with Erasurehead, Erendira, Santa sangre, Naked lunch... If you don't like these, don't even try "Satyricon".

On one hand, its many flaws are rather upsetting. The out-of-sync lipping (bad post-sync), the fact that the movie neither really tells a story nor evocates sensible moral or philosophical concepts... so one may say it's actually a dull movie. The violence in this movie doesn't seem to make real sense, neither does the homosexuality, neither does the "romanian decadence" portrait.

On the other hand, the scenography, the sets, the costumes and makup are among the most dazzling ones you'll ever see in cinema, and the cinematography... well... maybe the BEST one you'll ever see. I can't think of any another movie able to compete with "Satyricon"'s mindblowing cinematography. Each scene is a terrific picture, with several visual layers, extraordinary lights and focuses, a lot of invention, of visual flair, and the overall technical mastery is stunning.

The result is something mesmerizing for some, totally disgusting for others. I have to say I'm more on the mesmerized side, because I was mainly focused on the visual/meditative aspects of the movie, not on the narrative ones.

If you're really into cinema, I mean as an artistic media more than as entertainment, you MUST see "Satyricon", as it's to my sense the most *visually* outstanding movie ever made. Be prepared for some disappointment about the movie as a whole, though...


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Movies Influenced by Satyricon ebm83
C'mon everyone, it's not that good really... cardronaseasonpass
waht is your feeling when you watched satyricon? kurosawa176
i like watching this without reading the subtitles hypemankenny
Whats going on with the dubbing? iregretthisname
Richard Simmons is in this movie ? ? ? ? ? ? Unfinished_Symphony
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