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The Day the Hot Line Got Hot (1968)
"Le rouble à deux faces" (original title)

M  |   |  Comedy
4.4
Your rating:
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Ratings: 4.4/10 from 37 users  
Reviews: 3 user

The most ultra-secret telephone number of all is that of the "Hot'Line' that links the heads of state of the United States and Moscow. A conniving double agent manages to steal the top ... See full summary »

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Title: The Day the Hot Line Got Hot (1968)

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Cast

Cast overview:
...
Eric Ericson
...
Anderson
Marie Dubois ...
Natasha
...
Vostov
Gérard Tichy ...
Truman
Gustavo Re ...
Police Chief
Irene D'Astrea ...
Old Lady
Marta Grau ...
Old Lady
Josefina Tapias ...
Old Lady
Óscar Pellicer ...
(as Oscar Pellicer)
Frank Oliveras
Maurice de Canonge ...
Director of Hotel
...
(as Illya Salkind)
Edit

Storyline

The most ultra-secret telephone number of all is that of the "Hot'Line' that links the heads of state of the United States and Moscow. A conniving double agent manages to steal the top secret phone number and then begins to implement chaos by phoning Washington and Moscow, telling the two powers that their respective spy chiefs are traitors. It's spy versus spy, agent versus double agent, counter spy against counter-counter spy in a rapidly increasing international crisis that finds its solution on the stage of Chinese theater in Barcelona, Spain as the spy leaders, the traitorous agent, a beautiful girl, three old ladies, a young man caught up in the chain of events and a troupe of acrobats collide head on in battle. Written by alfiehitchie

Plot Summary | Add Synopsis

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Genres:

Comedy

Certificate:

M
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Details

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Also Known As:

Hot Line  »

Box Office

Gross:

ESP 5,778,126 (Spain)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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User Reviews

 
A big mistake for everyone involved.
11 March 2009 | by (United States) – See all my reviews

I caught this turkey on late night T.V. and was frankly embarrassed for Taylor and Boyer, two distinguished performers who deserved to end their careers with some kind of dignity and grace. The whole thing was like someone's home movie of a recent nightmare. The movies also illustrates the truth of the adage: "Dying is easy;comedy is hard." Robert Taylor (for one) has never shown any kind of comic flair. The best that can be said of his performance here is that he made the wise decision to play his role "straight", with no attempt to be 'funny" in the delivery of his lines. About the only appeal this film might have would be for devotees of bondage films who enjoy watching the three giggling old ladies tie up and terrorize the heroine.


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