The most ultra-secret telephone number of all is that of the "Hot'Line' that links the heads of state of the United States and Moscow. A conniving double agent manages to steal the top ... See full summary »
In the late 1800's, an army captain tries to tame the open plains of Argentina which are dominated by Indians and bandits. To help do this, the captain brings in a party of women to keep his soldiers happy.
A struggling young actress with a six-year-old daughter sets up housekeeping with a homeless black widow and her light-skinned eight-year-old daughter who rejects her mother by trying to pass for white.
Hard-boiled archeologist Mark Brandon is searching for ancient tombs in Egypt when he is approached by beautiful Ann Mercedes, who convinces him to help her fulfill her deceased father's ... See full summary »
The most ultra-secret telephone number of all is that of the "Hot'Line' that links the heads of state of the United States and Moscow. A conniving double agent manages to steal the top secret phone number and then begins to implement chaos by phoning Washington and Moscow, telling the two powers that their respective spy chiefs are traitors. It's spy versus spy, agent versus double agent, counter spy against counter-counter spy in a rapidly increasing international crisis that finds its solution on the stage of Chinese theater in Barcelona, Spain as the spy leaders, the traitorous agent, a beautiful girl, three old ladies, a young man caught up in the chain of events and a troupe of acrobats collide head on in battle. Written by
I caught this turkey on late night T.V. and was frankly embarrassed for Taylor and Boyer, two distinguished performers who deserved to end their careers with some kind of dignity and grace. The whole thing was like someone's home movie of a recent nightmare. The movies also illustrates the truth of the adage: "Dying is easy;comedy is hard." Robert Taylor (for one) has never shown any kind of comic flair. The best that can be said of his performance here is that he made the wise decision to play his role "straight", with no attempt to be 'funny" in the delivery of his lines. About the only appeal this film might have would be for devotees of bondage films who enjoy watching the three giggling old ladies tie up and terrorize the heroine.
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