| Photos (See all 10 | slideshow) |
| Stephen Forsyth | ... | John Harrington | |
| Dagmar Lassander | ... | Helen Wood | |
| Laura Betti | ... | Mildred Harrington | |
| Jesús Puente | ... | Inspector Russell | |
| Femi Benussi | ... | Alice Norton | |
| Antonia Mas | ... | Louise | |
| Luciano Pigozzi | ... | Vences (as Alan Collin) | |
| Gérard Tichy | ... | Dr. Kalleway | |
| Verónica Llimera | ... | Betsy | |
| Pasquale Fortunato | ... | Club Waiter (as Fortunato Pascuale) | |
| Ignasi Abadal | ... | Kane (as José Ignacio Abadaz) | |
| Silvia Lienas | ... | Vicky | |
| Montserrat Riva | ... | Bride on Train (as Monserrat Riba) | |
| rest of cast listed alphabetically: | |||
| Guido Barlocci | ... | John Harrington as a boy (uncredited) | |
| Bruno Boschetti | ... | Policeman (uncredited) | |
| Elina De Witt | ... | Model (uncredited) | |
Directed by | |||
| Mario Bava | |||
Writing credits | ||
| Santiago Moncada | (screenplay) | |
| Mario Bava | screenplay (uncredited) | |
Produced by | |||
| Manuel Caño | .... | producer | |
Original Music by | |||
| Sante Maria Romitelli | (as Sante Romitelli) | ||
Cinematography by | |||
| Mario Bava | |||
Film Editing by | |||
| Soledad López | |||
Production Design by | |||
| Giulia Mafai | |||
Makeup Department | |||
| Elisa Aspachs | .... | makeup artist (as Elisa Aspach) | |
| Hipólita López | .... | hair stylist | |
| Piero Mecacci | .... | makeup artist | |
| Emilia Zachini | .... | hair stylist | |
Production Management | |||
| Graziano Fabiani | .... | assistant production manager | |
| Enzo Ferla | .... | unit production manager | |
| Jaime Fernandez | .... | production manager | |
| José Pedro Villanueva | .... | assistant production manager (as Pedro Villanueva) | |
Second Unit Director or Assistant Director | |||
| Lamberto Bava | .... | assistant director | |
| Mario Bianchi | .... | second unit director | |
| Ricardo Walker | .... | assistant director | |
Art Department | |||
| Giuseppe Aldrovandi | .... | assistant art director | |
| Jesus Maria Herrero | .... | set designer (as Jesus Ma Herrero) | |
| Gianna Spirito | .... | assistant decorator | |
Sound Department | |||
| Pietro Ortolani | .... | sound | |
Camera and Electrical Department | |||
| Jose Adrian | .... | still photographer | |
| Marcello Anconetani | .... | assistant camera | |
| Gianlorenzo Battaglia | .... | assistant camera (as Gian Lorenzo Battaglia) | |
| Avelino Carla | .... | assistant camera | |
| Jaime Deu Casas | .... | camera operator | |
| Giuseppe Parrabano | .... | still photographer | |
| Antonio Rinaldi | .... | camera operator | |
| Emilio Varriano | .... | camera operator (as Emilio Barriano) | |
Costume and Wardrobe Department | |||
| Nadia Fabriani | .... | set costumer | |
| Montserrat Riba Vidal | .... | bridal gowns | |
| José María Tresserra | .... | bridal gowns | |
Editorial Department | |||
| Liliana Serra | .... | assistant editor | |
Music Department | |||
| Luigi Zito | .... | conductor | |
| Recent Posts (updated daily) | User |
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| Are you all mad!?!?!?!?!?! 10 stars??!?!?!?!? | nickrogers1969 |
| Did anybody else notice.. | spooner-11 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
I say strange because I'm not quite sure what exactly "Hatchet for the Honeymoon" was supposed to be (but enjoyed it nonetheless). It features many of the traditional giallo elements - a black-clad killer, lots of beautiful young women who may as well have "Murder Victim" tattooed on their foreheads, incompetent detectives, childhood psychological trauma, spooky childhood toys... Yet it also diverges from the giallo blueprint in some ways by incorporating an odd, Twilight Zone-style supernatural element into the plot, and also a wry commentary on bourgeois married life. There are clear elements of both Psycho and Peeping Tom in the story, and it also predates both the 1980 slasher film He Knows You're Alone, and the Bret Easton Ellis book (and later film) American Psycho.
As usual with Mario Bava, the cinematography, production design and lighting are all beautiful to look at, and there are two great suspense set-pieces: the scene where the killer waltzes with his next victim to the eerie tune of a music box in a shadowy, elegant store-room full of creepy plastic mannequins in wedding dresses; and the scene where he talks to the suspicious cop while his dead wife's arm is hanging from the staircase and dripping blood onto the carpet.
It's also a surprisingly funny film in many ways. Special mention must go to Laura Betti's hilarious performance as Mildred, the evil wife from hell.
All in all, "Hatchet for the Honeymoon" is an intriguing and often underrated addition to Mario Bava's formidable canon. Stylish, entertaining and darkly funny.