| Ingrid Thulin | ... | Thea Winkelmann | |
| Anders Ek | ... | Sebastian Fisher | |
| Gunnar Björnstrand | ... | Hans Winkelmann | |
| Erik Hell | ... | Judge Dr. Abrahamson | |
| Ingmar Bergman | ... | Priest |
Directed by | |||
| Ingmar Bergman | |||
Writing credits(in alphabetical order) | ||
| Ingmar Bergman | ||
Produced by | |||
| Lars-Owe Carlberg | .... | producer | |
Cinematography by | |||
| Sven Nykvist | |||
Film Editing by | |||
| Siv Lundgren | (as Siv Kanälv) | ||
Production Design by | |||
| Mago | |||
Costume Design by | |||
| Mago | |||
Makeup Department | |||
| Cecilia Drott | .... | assistant makeup artist | |
| Börje Lundh | .... | makeup artist | |
Production Management | |||
| Lennart Blomkvist | .... | unit manager | |
| Lars-Owe Carlberg | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Anders Lönnbro | .... | assistant director (as Christer Dahl) | |
Art Department | |||
| Karl-Arne Bergman | .... | property master | |
Sound Department | |||
| Lennart Engholm | .... | sound | |
| Berndt Frithiof | .... | sound | |
| Olle Jacobsson | .... | sound mixer (as Olle Jakobsson) | |
| Nils Skeppstedt | .... | sound effects | |
Camera and Electrical Department | |||
| Rolf Holmquist | .... | assistant camera | |
Other crew | |||
| Birgitta Särnö | .... | script girl | |
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| Appaloosa | Fellini Satyricon | The Secret in Their Eyes | Stage Beauty | Chris & Don. A Love Story |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Sweden section |
An intriguing sexually explicit and frank film about a number of different things, ranging from anti-censorship sentiments to neuroses, it is well directed by Ingmar Bergman, shot from interesting angles and making good use of close-ups, but still it is far off the level of Bergman's best work. The ideas are a bit all over the place and the film is too talkative for it to have much chance of establishing atmosphere. The events of the final ten or so minutes are contrived too, particularly concerning the main character. Either way, it makes an interesting enough watch, and if not for its cinematic virtues, at least for giving an idea of the very adult stuff allowed on Swedish television in 1969! Worthwhile for Bergman fans; others might want to try out a few of his other films before giving this a go.