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The Rite (1969)
"Riten" (original title)

TV Movie  -   -  Drama  -  18 September 1969 (USA)
7.2
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Ratings: 7.2/10 from 1,120 users  
Reviews: 9 user | 10 critic

A judge in an unnamed country interviews three actors, together and singly, provoking them while investigating a pornographic performance for which they may face a fine. Their relationships... See full summary »

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Title: The Rite (TV Movie 1969)

The Rite (TV Movie 1969) on IMDb 7.2/10

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Cast

Complete credited cast:
...
Thea Winkelmann
Anders Ek ...
Sebastian Fisher
...
Hans Winkelmann
Erik Hell ...
Judge Dr. Abrahamson
...
Priest
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Storyline

A judge in an unnamed country interviews three actors, together and singly, provoking them while investigating a pornographic performance for which they may face a fine. Their relationships are complicated: Sebastian, volatile, a heavy drinker, in debt, guilty of killing his former partner, is having an affair with that man's wife. She is Thea, high strung, prone to fits, and seemingly fragile, currently married to Sebastian's new partner, Hans. Hans is the troupe leader, wealthy, self-contained, growing tired. The judge plays on the trio's insecurities, but when they finally, in a private session with him, perform the masque called The Rite, they may have their revenge Written by <jhailey@hotmail.com>

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Drama

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Release Date:

18 September 1969 (USA)  »

Also Known As:

The Rite  »

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1.33 : 1
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Quotes

Hans Winkelmann: Isn't it better to have insecurity with small artificial islands of security? It agrees better with the real state of affairs than the other way round.
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User Reviews

My brief review of the film
19 February 2006 | by (Perth, Australia) – See all my reviews

An intriguing sexually explicit and frank film about a number of different things, ranging from anti-censorship sentiments to neuroses, it is well directed by Ingmar Bergman, shot from interesting angles and making good use of close-ups, but still it is far off the level of Bergman's best work. The ideas are a bit all over the place and the film is too talkative for it to have much chance of establishing atmosphere. The events of the final ten or so minutes are contrived too, particularly concerning the main character. Either way, it makes an interesting enough watch, and if not for its cinematic virtues, at least for giving an idea of the very adult stuff allowed on Swedish television in 1969! Worthwhile for Bergman fans; others might want to try out a few of his other films before giving this a go.


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