A comedy filled with tenderness as a baby raccoon snuggles his way into the life of a lonely boy. He becomes the boy's only companion during his father's frequent absences. Because of ...
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Young and awkward, The Coast-Guard's ensign Thomas Garland suffers from the comparison with his late father, a war hero. Which does not prevent him from falling for pretty Kate Fairchild, a... See full summary »
When the Indian Jimmyboy is accused of murder of a white man, he flees onto the ranch of Smith, who's well known for his tolerance for Indians, since he was raised by the old Indian Antoine... See full summary »
When John Baxter inherits a ski resort in the Rocky Mountains, he quits his job in New York and moves the family west to run it. Only to find that the place is a wreck. But together they ... See full summary »
In this touching adventure, a remake of the popular 1940 film, two Georgia boys ignore their racial differences to team up and befriend a feral bird dog, whom they train to participate in a fence-jumping contest.
A comedy filled with tenderness as a baby raccoon snuggles his way into the life of a lonely boy. He becomes the boy's only companion during his father's frequent absences. Because of Rascal, both father and son realize their responsibility to each other. Written by
In the classroom scene at the very start of the film, these lines from the Edward Pollock poem The Parting Hour are on the blackboard: 'The one who goes is happier, Than those he leaves behind'. See more »
Comedy-drama from the Disney company about a youngster (Bill Mumy, of TV's "Lost in Space") in the 1900s adopting a baby raccoon who quickly becomes the town menace. Impossibly warm and treacly saga that Walt himself might have been proud of (it seems a direct product of the late 1950s, not 1969!). However, the animals involved are consistently interesting, far more so than the hysterical grown-ups, and Mumy is solid if unspectacular (he wasn't in the same league as, say, Johnny Whitaker, though he's competent). Steve Forrest and Elsa Lanchester are unable to add much sparkle to the proceedings, and Buddy Baker's music score is teeth-grindingly sweet. *1/2 from ****
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