Having discovered that she is pregnant, Natalie Ravenna (Shirley Knight), a Long Island housewife panics and leaves home to see if she might just possibly have made something different out ... See full summary »
A sergeant must deal with his desires to save the lives of young soldiers being sent to Vietnam. Continuously denied the chance to teach the soldiers about his experiences, he settles for trying to help the son of an old army buddy.
Francis Ford Coppola
James Earl Jones
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a... See full summary »
Having discovered that she is pregnant, Natalie Ravenna (Shirley Knight), a Long Island housewife panics and leaves home to see if she might just possibly have made something different out of herself; if she can manage to unshackle her grocery list worth of responsibilities that add up to a life with a husband she loves. In a motel room where Natalie stops to rest during the day, she sits motionless on the bed, and experiences the exuberance of complete freedom and the queasy feelings of new beginnings. Natalie continues on with her journey and picks up a young hitch-hiker -Killer (James Caan), an attractive brain-damaged football player. It is through Killer that poses a more disturbing question to Natalie than that of domestic responsibility. How deeply are we wedded to chance meetings and are we responsible for the crimes that we witness? Written by
Coppola's first film aptly demonstrates emerging greatness
I have a letter from Ms. Knight, who went to college with my older sister. In it, she tells of the hardships of making this film. She, herself, was pregnant--an interesting conjunction with the movie's plot--and the novice director was unsure, fairly green, and having great difficulties with all the decisions, logistics, etc. They were on the move all the time, and it was a very difficult shoot.
The film, however, with a strong debut for James Caan, remains effective and affecting. It's a great showcase for the talent that Ms. Knight has demonstrated her entire career--on television, in movies and on the stage, where she won the Tony for "Kennedy's Children."
This film has aged well.
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