| Photos (See all 13 | slideshow) |
| Marlon Brando | ... | Sir William Walker | |
| Evaristo Márquez | ... | José Dolores (as Evaristo Marquez) | |
| Norman Hill | ... | Shelton | |
| Renato Salvatori | ... | Teddy Sanchez | |
| Valeria Ferran Wanani | ... | Guarina | |
| Giampiero Albertini | ... | Henry Thompson | |
| Carlo Palmucci | ... | Jack | |
| Dana Ghia | ... | Francesca | |
| Joseph P. Persaud | ... | Juanito | |
| Álvaro Medrano | ... | Soldier (as Alvaro Medrano) | |
| Alejandro Obregón | ... | Engl. Major (as Alejandro Obregon) | |
| Enrico Cesaretti | |||
| rest of cast listed alphabetically: | |||
| Cicely Browne | ... | Lady Bella (uncredited) | |
| Maurice Rodriguez | ... | Ramón (uncredited) | |
Directed by | |||
| Gillo Pontecorvo | |||
Writing credits | ||
| Franco Solinas | (story) & | |
| Giorgio Arlorio | (story) | |
| Franco Solinas | (screenplay) & | |
| Giorgio Arlorio | (screenplay) | |
| Gillo Pontecorvo | (story) uncredited | |
Produced by | |||
| Alberto Grimaldi | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Marcello Gatti | (director of photography) | ||
| Giuseppe Ruzzolini | (director of photography) | ||
Film Editing by | |||
| Mario Morra | |||
Production Design by | |||
| Sergio Canevari | |||
Art Direction by | |||
| Piero Gherardi | |||
Costume Design by | |||
| Marilù Carteny | (as Marilu Carteny) | ||
Makeup Department | |||
| Mauro Gavazzi | .... | makeup artist | |
| Anna Graziosi | .... | hair stylist | |
Production Management | |||
| Mario Del Papa | .... | unit manager | |
| Sergio Merolle | .... | production manager | |
| Averoe Stefani | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Salvatore Basile | .... | assistant director (as Salvo Basile) | |
| Rinaldo Ricci | .... | assistant director | |
| Abraham Salzman | .... | second assistant director | |
Art Department | |||
| Francesco Bronzi | .... | set dresser | |
| Franco Vanorio | .... | assistant set decorator | |
Sound Department | |||
| Eugenio Rondani | .... | sound | |
Special Effects by | |||
| Aldo Gasparri | .... | special effects | |
Visual Effects by | |||
| Eugenio Lardani | .... | title designer (as Lardani) | |
Stunts | |||
| Alessandro Sozzi | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Luigi Filippo Carta | .... | camera operator (as Filippo Carta) | |
| Elio Polacchi | .... | camera operator | |
| Otello Spila | .... | camera operator | |
Editorial Department | |||
| Enzo Ocone | .... | supervising editor | |
Music Department | |||
| Bruno Nicolai | .... | conductor: orchestra | |
Other crew | |||
| Giovanni d'Eramo | .... | press (as Nanni D'Eramo) | |
| Franco Giordano | .... | percussion advisor | |
| Anna Korda | .... | dialogue director | |
| Anna Maria Montanari | .... | script supervisor | |
| Jennifer Oppo | .... | press | |
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| The Battle of Algiers | Khartoum | The Ugly American | The Baader Meinhof Complex | In the Time of the Butterflies |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Italy section |
Albert Oyahon (a previous review) seems to have said it all. This indeed is a deeply complex, gripping and deeply political film. For those who are used to simple moral tales it will seem confusing, uncomfortable even, but for those who relish the complexity of the human condition it is a challenging and thoughtful film. The number of truly outstanding political thrillers can be counted on the fingers of one hand (A Man For All Seasons and Z come to mind) but this ranks amongst the best. With the possible exception of On The Waterfront, it is difficult to think of a film in which Brando gave a better performance. He is outstanding as a complex political manipulator. The film also has qualities that arise only when different cultures (in this case Europe and The Americas) come together. To an intelligent filmgoer I cannot recommend this film too highly.