At his mother's funeral, stuffy bank clerk Henry Pulling meets his Aunt Augusta, an elderly eccentric with more-than-shady dealings who pulls him along on a whirlwind adventure as she ... See full summary »
Louis Gossett Jr.
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
American Walter Elbertson, in his late teens, is feeling lost within his family of overachievers. Thirty-something Englishwoman Lila Fisher is emotionally repressed. The two meet on their ... See full summary »
Alan J. Pakula
Don Jaime de Mora y Aragón
Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
A liberated young schoolteacher at an Edinburgh girls' school in the period between the two wars, instructs her girls on the ways of life. Ignoring the more mundane subjects, she teaches them of love, politics and art. Her affairs with two male teachers become known and she finds herself fighting to keep her job. She believes that she can always count on the 100% support of her favourite pupils, but one of them does not feel that Miss Jean Brodie is in her "prime" any more. No longer swayed by her teacher's eloquence, she begins to learn about life and love herself. Written by
The artwork for the 1969 poster shows Mr Lloyd (played in the film by Robert Stephens) wearing blue trousers that appear to be jeans. The film takes place in the 1930s, so none of the characters wear jeans. See more »
The very first shot of the film shows the Edinburgh skyline, with a caption stating that it's 1932. But clearly visible in the centre of frame is the white cube of the (now demolished) Goldberg's department store, which was built in the early 1960s. See more »
This movie is often billed as a 'one-woman show', a study of an extraordinary character, Miss Jean Brodie, played by an excellent actress. However, the movie is much more than that. It is a study of charisma and influence, of teachers and students, and presents a complex and fascinating coming-of-age story. This study takes place through the movie's double-focus on both Jean Brodie and her most precocious student, Sandy. Sandy is the strongest and most independent of Miss Brodie's students, and eventually she rebels and rejects her teaching completely. However, she is also truest to her teacher's expressed goals. Miss Brodie supposedly wants to teach 'her girls' to be like herself: powerful, independent individuals, free from the shackles of authority and group-think, beyond conventional sexual morality. In fact, she preys on the weakness and insecurity of her students, punishes independence and rewards slavish loyalty to her and to her personal plans and ideals. (The film's more subtle concern with fascism and authoritarianism echoes this theme: fascism elevates great individuals and praises their strength, just as it demands total obedience and slavishness from the rest.) Sandy, by recognizing and rejecting Miss Brodies's actions and plans, becomes her truest student: not only sexually adventurous, but bold, independent, and confrontational. The final scenes illustrate this beautifully. Miss Brodie has truly put "an old head" on Sandy's "young shoulders", and she truly is "hers for life"--though not in the way originally intended. In this way the movie presents a profound, sophisticated and realistic account of the way powerful individuals influence one another.
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