At his mother's funeral, stuffy bank clerk Henry Pulling meets his Aunt Augusta, an elderly eccentric with more-than-shady dealings, who pulls him along on a whirlwind adventure, as she ... See full summary »
Louis Gossett Jr.
Paul Gregory is sprung from jail in London by his accomplice after getting a stretch as expected for robbing a woman who falls for his charms. Only he knows how to get to the money, but his... See full summary »
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
A liberated young schoolteacher at an Edinburgh girls' school in the period between the two wars, instructs her girls on the ways of life. Ignoring the more mundane subjects, she teaches them of love, politics and art. Her affairs with two male teachers become known and she finds herself fighting to keep her job. She believes that she can always count on the 100% support of her favourite pupils, but one of them does not feel that Miss Jean Brodie is in her "prime" any more. No longer swayed by her teacher's eloquence, she begins to learn about life and love herself. Written by
According to Pamela Franklin, even though they were 18, she and the other young girls were asked not to eat their lunch in the Pinewood cafeteria in their school uniform costumes for appearance's sake as beer and wine was served there. See more »
The telephone on Miss McKay's desk is from the 1940. The transmitter (what you talk into) would have been different, and the dial would have been plain black instead of stainless steel in 1932. See more »
Maggie Smith is mesmerizing. She paints the blind monstrosity of Miss Jean Brodie in the most recognizable human tones. Robin William's character in "Dead Poet Society" is as irresponsible but doesn't go near as far as this repressed masterpiece of a creature. Her romantic slant towards "Il Duce" and what he represents is at the core of the simple complexity of the character. Maggie's mannerism, now a precious trade mark, belong to Miss Brodie, totally. Her arms, her chin, the turning of her face. Pamela Franlklin is also superb. What a powerful young actress -- Where is she now? -- and Celia Johnson's performance is the icing on the cake of this feast of a movie.
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