Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her ... See full summary »
At his mother's funeral, stuffy bank clerk Henry Pulling meets his Aunt Augusta, an elderly eccentric with more-than-shady dealings, who pulls him along on a whirlwind adventure, as she ... See full summary »
Louis Gossett Jr.
The pathetically shy LV lives the life of a recluse listening to her late father's old records in her room and in the process driving her abusive, loud-mouthed mother, Mari Hoff, to ... See full summary »
A liberated young schoolteacher at an Edinburgh girls' school in the period between the two wars, instructs her girls on the ways of life. Ignoring the more mundane subjects, she teaches them of love, politics and art. Her affairs with two male teachers become known and she finds herself fighting to keep her job. She believes that she can always count on the 100% support of her favourite pupils, but one of them does not feel that Miss Jean Brodie is in her "prime" any more. No longer swayed by her teacher's eloquence, she begins to learn about life and love herself. Written by
The school desks had to be raised so that some of the girls wouldn't look as grown up as they really were. In fact, one of the girls was a twenty year old mother. See more »
Miss Brodie presents a slide show to the class. She tells a tale of how Dante Alighieri fell in love with Beatrice Portinari when they met at the old bridge (Ponte Vecchio) in Florence. Miss Brodie changes some of the facts of the Dante and Beatrice story, but in doing so she is relating the story (consciously or unconsciously) of her own failed romance with an older man. See more »
Maggie Smith is mesmerizing. She paints the blind monstrosity of Miss Jean Brodie in the most recognizable human tones. Robin William's character in "Dead Poet Society" is as irresponsible but doesn't go near as far as this repressed masterpiece of a creature. Her romantic slant towards "Il Duce" and what he represents is at the core of the simple complexity of the character. Maggie's mannerism, now a precious trade mark, belong to Miss Brodie, totally. Her arms, her chin, the turning of her face. Pamela Franlklin is also superb. What a powerful young actress -- Where is she now? -- and Celia Johnson's performance is the icing on the cake of this feast of a movie.
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