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Porcile (1969)

6.9
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Ratings: 6.9/10 from 1,640 users  
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Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son... See full summary »

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Title: Porcile (1969)

Porcile (1969) on IMDb 6.9/10

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Cast

Cast overview:
Pierre Clémenti ...
Young cannibal (as Pierre Clementi)
...
Julian Klotz (as Jean Pierre Leaud)
Alberto Lionello ...
Mr. Klotz
...
Herdhitze
...
Ida
Margarita Lozano ...
Madame Klotz (as Margherita Lozano)
...
Hans Günther
...
Cannibal
...
Maracchione
Edit

Storyline

Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships. Written by Adalberto Fornario

Plot Summary | Add Synopsis

Taglines:

I killed my father, I ate human flesh, and I quiver with joy.

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

|

Language:

Release Date:

10 October 1969 (France)  »

Also Known As:

Pigpen  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Pier Paolo Pasolini offered the role of the young cannibal to Klaus Kinski, who turned it down because the salary was too low. See more »

Goofs

In one of the shots related to the medieval cannibal plot, we see a dust cloud rising in the distance behind the characters. It is a car driving across the mountain landscape. See more »

Quotes

Julian Klotz: If anything, to make you cry and suffer. Tralala.
See more »

Connections

Follows Oedipus Rex (1967) See more »

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User Reviews

 
Quietly haunting
7 March 1999 | by (Los Angeles, Massachusetts) – See all my reviews

Porcile is one of those films that gets under your skin, and you're not sure why. The storyline unfolds in a style that is typically atypical of Pasolini; the tale of a college-aged son of a former Nazi isolating himself from everyone else (while encountering feelings that lend the film its title) is intertwined with that of a cannibalistic hermit from the Middle Ages. What results is a parallelistic criticism of modern society, not unlike Pasolini's earlier Teorema. The ending, which leaves an impact (although the actions take place off camera), is understated but undeniably chilling. Overall: 9/10


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