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Porcile (1969)

6.9
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Ratings: 6.9/10 from 1,675 users  
Reviews: 14 user | 33 critic

Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son... See full summary »

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Title: Porcile (1969)

Porcile (1969) on IMDb 6.9/10

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Edit

Cast

Cast overview:
Pierre Clémenti ...
Young cannibal (as Pierre Clementi)
...
Julian Klotz (as Jean Pierre Leaud)
Alberto Lionello ...
Mr. Klotz
...
Herdhitze
...
Ida
Margarita Lozano ...
Madame Klotz (as Margherita Lozano)
...
Hans Günther
...
Cannibal
...
Maracchione
Edit

Storyline

Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships. Written by Adalberto Fornario

Plot Summary | Add Synopsis

Taglines:

I killed my father, I ate human flesh, and I quiver with joy.

Genres:

Drama

Certificate:

See all certifications »
Edit

Details

Country:

|

Language:

Release Date:

10 October 1969 (France)  »

Also Known As:

Pigpen  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

Third part of Pier Paolo Pasolini's "Mythical Cycle" also including Oedipus Rex (1967), Teorema (1968) and Medea (1969). See more »

Goofs

In one of the shots related to the medieval cannibal plot, we see a dust cloud rising in the distance behind the characters. It is a car driving across the mountain landscape. See more »

Quotes

Julian Klotz: If anything, to make you cry and suffer. Tralala.
See more »

Connections

Follows Teorema (1968) See more »

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User Reviews

Definitely NOT the Pasolini to begin with...
17 June 2007 | by See all my reviews

It's arguably his least accessible work.And probably his more boring too.Like in "Oedipe" ,or in "teorema" ,there is a mix of contemporary scenes and a tale of long ago ,which could happen anywhere ,in the Middle Ages or the antiquity -which Pasolini broached with his Gospel,Medea and Oedipe-.

"Porcile" bears the appropriate scars of the time .All the scenes between Jean-Pierre Léaud (fortunately,he is dubbed ,so the French -speaking do not have to hear his affected voice)and Anne Wiazemsky are terribly stodgy.The two "intellectual" "actors" epitomize ,as far as I'm concerned,the nadir of French acting.These interminable dialogs recall the dreadful rhetoric of GOdard's "La Chinoise" .

Things go better when Pasolini directs the fathers: one of them,a former Nazi has A skeleton in the closet and the other one's son is a zoophilist (check the title).As for the Pierre Clementi sequences -in an undefined past,which deal with cannibalism (I killed my father/I eat human flesh),the connection with the main plot escapes me,I fear.

A young person who wants to discover Pasolini should not begin with "Porcile" (or ,worse "Salo" )."Mamma Roma" "Il vangelo secondo Matteo" or "Medea" are wiser choices.


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