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The Phantom Tollbooth (1970)

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Milo is a boy who is bored with life. One day he comes home to find a toll booth in his room. Having nothing better to do, he gets in his toy car and drives through - only to emerge in a ... See full summary »

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(screenplay), (screenplay), 1 more credit »
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Title: The Phantom Tollbooth (1970)

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Cast

Complete credited cast:
...
Milo
...
Officer Short Shrift / Dodecahedron / Demon of Insincerity (voice)
...
Whether Man / Senses Taker / Terrible Trivium / Gelatinous Giant (voice)
Candy Candido ...
Awful DYNN (voice)
...
King Azaz / The MathemaGician (voice)
...
Ralph / Faintly Macabre / Princess of Pure Reason (voice)
Patti Gilbert ...
Princess of Sweet Rhyme (voice)
Shepard Menken ...
Spelling Bee / Chroma The Great (voice) (as Shep Menken)
Cliff Norton ...
Kakofonous A. Dischord / Tollbooth Speaker (voice)
Larry Thor ...
Tock The Watchdog (voice)
...
Humbug (voice)
Edit

Storyline

Milo is a boy who is bored with life. One day he comes home to find a toll booth in his room. Having nothing better to do, he gets in his toy car and drives through - only to emerge in a world full of adventure. Written by Eric Sorensen <Eric_Sorensen@fc.mcps.k12.md.us>

Plot Summary | Add Synopsis

Plot Keywords:

car | toll | toy car | boy | bow | See All (214) »

Taglines:

It's an Alphabeautiful Mathemagical New Musical Movie!


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

December 1972 (UK)  »

Also Known As:

The Adventures of Milo in the Phantom Tollbooth  »

Filming Locations:


Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

This film was actually made in 1968 but due to MGM's financial problems and frequently changing management, the film was not heavily promoted. When it was released in 1970, it was not a box office success. See more »

Goofs

When Milo meets the Which, she addresses him by name even though he never told her what it was. See more »

Quotes

Milo: Everything's a big waste of time. When I'm in school, all I want to do is be out. When I'm not in school, I want to be someplace else. If only something could happen sometime. What's the use of subtracting turnips from turnips, or carrying a three, or knowing how to spell 'Feb-uary?' 'Feb-RU-ary.' Everything seems so impossible. Everybody says it's such a big, wonderful world. How come it seems so small, and kind of empty? There's no rhyme or reason to any of it.
See more »

Connections

Referenced in Animation Lookback: Hanna-Barbera Part 1 (2010) See more »

Soundtracks

Don't Say There's Nothing to Do in the Doldrums
(1969)
Music by Lee Pockriss
Lyrics by Paul Vance
Performed by the Mel Blanc (uncredited) and Butch Patrick (uncredited)
See more »

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User Reviews

 
"No journey is valid without a proper destination..."
24 March 2009 | by (las vegas, nv) – See all my reviews

A youngster from San Francisco, bored with school and with time to kill, is offered an educational round-trip from a Phantom Tollbooth; he turns animated and takes a journey to the Castle in the Sky, where Rhyme and Reason have been banished by Dictionopolis and Digitopolis, the feuding worlds of words and numbers who each believe they are most important. Uneven animated feature (with live-action prologue and epilogue featuring Butch Patrick) is an erratic, but interesting adaptation of Norton Juster's book punctuated with musical interludes (and some odd "Wizard of Oz"-isms). Veteran animator Chuck Jones co-wrote the script and co-directed the animated sequences (the first, and last, cartoon effort from M-G-M). Jones makes a big mistake getting our young hero stuck in the Doldrums in the first act (there's no fascination in lethargy), but he picks up the pace soon after that. Digitopolis has a nifty look (and lively Hans Conried as the MathemaGician), and there's a lovely "conducted" sunset and an exciting race to the castle. The animation is alternately crude, clumsy, expressive, colorful, and routine, and the songs are an equally mixed lot (they're pleasant, if not especially catchy). Patrick has a marvelous deep voice for a little kid, but he isn't given anything clever to say; better are Conried, June Foray, and Mel Blanc in the voice-over department. Not too popular with child audiences at the time, this may have been a bit high-brow for the matinée crowds. If anything, the film has improved with time, and some of it is quite imaginative. **1/2 from ****


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