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The Passion of Anna (1969)

En passion (original title)
R | | Drama | 28 May 1970 (USA)
Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets ... See full summary »

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2 wins & 6 nominations. See more awards »
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Cast

Cast overview:
...
Andreas Winkelman
...
Anna Fromm
...
Eva Vergérus
...
Elis Vergérus
Erik Hell ...
Johan Andersson
Sigge Fürst ...
Verner
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Storyline

Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets Anna, who is grieving the recent deaths of her husband and son. She appears zealous in her faith and steadfast in her search for truth, but gradually her delusions surface. Andreas and Anna pursue a love affair, but he is unable to overcome his feelings of deep humiliation and remains disconnected. Meanwhile, the island community is victimized by an unknown person committing acts of animal cruelty. Written by Nancy Dowling <nad@skypoint.com>

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man is the king of beasts...

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Drama

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Release Date:

28 May 1970 (USA)  »

Also Known As:

The Passion of Anna  »

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Color:

(Eastmancolor)| (dream sequence)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

This film, commonly known as En Passion (or The Passion aka The Passion of Anna), has an actual on-screen title of: L 182. See more »

Quotes

Eva Vergerus: Would you tell your kids about God? I wouldn't teach them to belief.
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Connections

Featured in Premio Donostia a Max Von Sydow (2006) See more »

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User Reviews

 
Landscapes of the Soul
19 January 2010 | by (Berlin, GER) – See all my reviews

I think, En passion is indeed not a perfect film, but who likes perfection? In fact, I think, up to now, it belongs in Bergman's top 10 and is a great addition to the issues argued in Vargtimmen, Skammen and Rite. All these characters here are not really authentic, but one: Verner, the old man suspected by the villagers on that island to be the animal abuser, and therefore excruciated. Everyone else, including Andreas, Anna and the couple they are friends with, are people who call for problems, get entrapped by them and catapult themselves into an almost-catastrophe. It's interesting that Verner, writes to Andreas, who seems to be the worst of all, i.e. most un-authentic, a suicide note, saying: "I can't look into anyone's eyes anymore", is, to my understanding, the key to the film - self-made problems contrasted with problems created externally. Given Verner's suicide, driven by slander and torture, Andreas' and Anna's issues in their relationship fade, normally, but then an axe gets involved, a stable burns down and a horse runs off, ablazed, kindled by the real animal tormentor who still is on the loose. An inferno.

What I like most about this film, though, is its situational context: the island. I can't think of another Bergman film where the environment plays a bigger role than here. All figures are moving in a lost, iced vastness, in defoliated, sparse woods, get stuck in morass and dirt. Animals get brutally tortured and killed, wood gets chopped, wagons bog down in mud. The forlornness and menace of the people in nature is wonderfully captured by Nykvist, mostly in long, high-angle or panoramic shots and is an intriguing contrast to the interior (of the cottages, where the talking, cheating and fighting takes place) - inside there lurks the psychic, outside there's the physical death. That is a great imagery. However, I'm not satisfied with these interview snippets which I think is a nice idea (such as Bergman's verbal directions in the off in Vargtimmen), but it's executed quite poorly.


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