The Passion of Anna
(1969)
|
|
| 0Share... |
The Passion of Anna
(1969)
|
|
| 0Share... |
| Credited cast: | |||
| Max von Sydow | ... |
Andreas Winkelman
|
|
| Liv Ullmann | ... | ||
| Bibi Andersson | ... |
Eva Vergerus
|
|
| Erland Josephson | ... |
Elis Vergerus
|
|
|
|
Erik Hell | ... |
Johan Andersson
|
|
|
Sigge Fürst | ... |
Verner
|
| Rest of cast listed alphabetically: | |||
|
|
Britta Brunius | ... |
Woman in dream
|
|
|
Lars-Owe Carlberg | ... |
Police officer
|
|
|
Malin Ek | ... |
Woman in dream
|
|
|
Barbro Hiort af Ornäs | ... |
Woman in dream
|
|
|
Svea Holst | ... |
Verner's wife
|
|
|
Marianne Karlbeck | ... |
Woman in dream
|
|
|
Annicka Kronberg | ... |
Katarina
|
|
|
Brian Wikström | ... |
Police officer
|
|
|
Brita Öberg | ... |
Woman in dream
|
Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets Anna, who is grieving the recent deaths of her husband and son. She appears zealous in her faith and steadfast in her search for truth, but gradually her delusions surface. Andreas and Anna pursue a love affair, but he is unable to overcome his feelings of deep humiliation and remains disconnected. Meanwhile, the island community is victimized by an unknown person committing acts of animal cruelty. Written by Nancy Dowling <nad@skypoint.com>
This is par for the course with Bergman, though. I have enjoyed all of his films that I've seen, which I admit is not many. This one touched me even more deeply than the others.
The topics touched on in this film include isolation, truth in relationships, mob mentality, but most importantly isolation from an emotional point of view. The interviews with the actors that are spliced into the film provide insight as well as divisions between sections of the narrative.
Perhaps what I liked best, however, is the inventive way the script reveals elements of the story. Sometimes a voice-over provides necessary information, and other times the information comes through the characters' conversations -- but never in an annoying "quick exposition" kind of way. For example: Although the affair between Anna and Andreas is the central story, it shows up in an odd place in the film.
But that is just one of the examples of the unusual construction that makes this film so unique and masterful. I recommend this to anyone who can read subtitles.