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A Quiet Place to Kill (1970)

Paranoia (original title)
| Drama, Thriller | 1973 (USA)
A race-car driver whose life, both personal and professional, is in a rapid downfall is invited by her ex-husband's new wife to stay at their plush estate. The two women form a bond, and ... See full summary »

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(screenplay), (story) | 4 more credits »
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Cast

Cast overview, first billed only:
...
Helen
...
Maurice Sauvage
Luis Dávila ...
Albert Duchamps
...
Dr. Harry Webb
Marina Coffa ...
Susan Sauvage
Anna Proclemer ...
Constance Sauvage
Lisa Halvorsen ...
Solange (as Liz Halvorsen)
Manuel Díaz Velasco ...
Miguel
Jacques Stany ...
James
Rossana Rovere ...
Nurse
Calisto Calisti ...
Doctor
Alfonso de la Vega ...
Chauffeur
Miguel Beltrán
Gaspar Forteza ...
1st Cop
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Storyline

A race-car driver whose life, both personal and professional, is in a rapid downfall is invited by her ex-husband's new wife to stay at their plush estate. The two women form a bond, and it's not long before their mutual dislike for the husband culminates into a plan to kill him. As it turns out, though, they're not alone in plotting murder. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Genres:

Drama | Thriller

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Details

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Language:

Release Date:

1973 (USA)  »

Also Known As:

A Quiet Place to Kill  »

Company Credits

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Technical Specs

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Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Final part of a trilogy also including Paranoia (1969) and Così dolce... così perversa (1969). See more »

Connections

Referenced in Grindhouse (2007) See more »

Soundtracks

You
Written by Lilian Terry and Piero Umiliani
Performed by Shirley Harmer
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User Reviews

 
'Another splendid gialli from the master of sexual intrigue'
23 January 2014 | by See all my reviews

Another splendid gialli from the master of sexual intrigue Umberto Lenzi. Many say that this is inferior to his 'Orgasmo' (1969) but it many ways I find it to be of equal merit. Righteous lounge-core soundtrack and another winning performance from one of the true divas of gialli, Carrol Baker. Yet again, Baker suffers at the hands of a scheming; cock sure male; this time a particularly suave and dashing Marc Porel; a man seemingly born to wear pastel v-neck sweaters. His preference for Val Donican's wardrobe does little to mute his excellent performance as a Machiavellian, libidinous, uber-playboy, which is exemplary; making the twist-laden 'a quiet place to kill' a must see for Lenzi-Gialli-Baker fans.


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