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Directed by | |||
| Joshua Logan | |||
Writing credits | ||
| Alan Jay Lerner | (book and lyrics by) | |
| Alan Jay Lerner | (screenplay) | |
| Paddy Chayefsky | (adaptation) | |
Produced by | |||
| Alan Jay Lerner | .... | producer | |
| Tom Shaw | .... | associate producer | |
Cinematography by | |||
| William A. Fraker | (director of photography) | ||
Film Editing by | |||
| Robert C. Jones | |||
Production Design by | |||
| John Truscott | |||
Art Direction by | |||
| Carl Braunger | |||
Set Decoration by | |||
| James L. Berkey | (as James I. Berkey) | ||
Costume Design by | |||
| John Truscott | |||
Makeup Department | |||
| Frank McCoy | .... | makeup artist | |
| Vivienne Walker | .... | hair stylist (as Vivian Zavitz) | |
| Don Marando | .... | assistant makeup artist (uncredited) | |
| Jan Van Uchelen | .... | hair stylist (uncredited) | |
Production Management | |||
| Carl Beringer | .... | production manager | |
| Fred Lemoine | .... | production manager | |
Art Department | |||
| Robert Eaton | .... | property (as Bob Eaton) | |
| Lloyd R. Apperson | .... | construction foreman (uncredited) | |
| Irwin 'Eppy' Epstein | .... | drapery (uncredited) | |
Sound Department | |||
| Fred Hynes | .... | stereophonic re-recording supervisor | |
| William Randall | .... | sound mixer | |
Special Effects by | |||
| Maurice Ayers | .... | special effects | |
| Larry Hampton | .... | special effects | |
| Daniel Hays | .... | special effects (uncredited) | |
Stunts | |||
| Emile Avery | .... | stunts (uncredited) | |
| Buff Brady | .... | stunts (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Boyd Cabeen | .... | stunt double (uncredited) | |
| Ross Dollarhyde | .... | stunts (uncredited) | |
| Patty Elder | .... | stunts (uncredited) | |
| Tony Epper | .... | stunts (uncredited) | |
| Henry A. Escalante | .... | stunts (uncredited) | |
| Diamond Farnsworth | .... | stunts (uncredited) | |
| Richard Farnsworth | .... | stunts (uncredited) | |
| Lee Faulkner | .... | stunts (uncredited) | |
| Jim Feazell | .... | stunts (uncredited) | |
| Bob Herron | .... | stunts (uncredited) | |
| Chuck Hicks | .... | stunts (uncredited) | |
| Dick Hudkins | .... | stunts (uncredited) | |
| John Hudkins | .... | stunts (uncredited) | |
| Loren Janes | .... | stunts (uncredited) | |
| Monty Jordan | .... | utility stunts (uncredited) | |
| Walt La Rue | .... | stunts (uncredited) | |
| Harrold Laswell | .... | stunts (uncredited) | |
| Sharon Lucas | .... | stunts (uncredited) | |
| Rod McGaughy | .... | stunts (uncredited) | |
| Wayne McLaren | .... | stunts (uncredited) | |
| Frank Orsatti | .... | stunts (uncredited) | |
| Harvey Parry | .... | stunts (uncredited) | |
| Jack Perkins | .... | stunts (uncredited) | |
| David Sharpe | .... | stunts (uncredited) | |
| Mary Statler | .... | stunts (uncredited) | |
| Gibb Stepp | .... | stunts (uncredited) | |
| Buddy Van Horn | .... | stunt double (uncredited) | |
| Fred Waugh | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
| Joe Yrigoyen | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bobby Byrne | .... | assistant camera (as Bob Byrne) | |
| Loyal Griggs | .... | photographer: second unit | |
| Tom May | .... | key grip | |
| Joe Smith | .... | gaffer | |
| Nelson Tyler | .... | aerial photographer | |
| David M. Walsh | .... | camera operator (as David Walsh) | |
| Dick Colean | .... | assistant camera (uncredited) | |
| Richard Debolt | .... | camera & mechanical design (uncredited) | |
| Wynn Hammer | .... | still photographer (uncredited) | |
| Michael A. Jones | .... | electrician (uncredited) | |
| David Macdonald | .... | grip (uncredited) | |
| Jerry Whittington | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Bill Jobe | .... | costume supervisor | |
| Anne Laune | .... | costume coordinator | |
| Haleen K. Holt | .... | costume illustrator (uncredited) | |
Music Department | |||
| Joseph J. Lilley | .... | choral arranger | |
| Joseph J. Lilley | .... | music assistant to producers | |
| Frederick Loewe | .... | music by | |
| André Previn | .... | music: for additional songs by | |
| Nelson Riddle | .... | conductor | |
| Roger Wagner | .... | conductor: choral music | |
| Bob Bain | .... | musician: guitar (uncredited) | |
| Anita Gordon | .... | singing voice: Jean Seberg (uncredited) | |
| Willard Jones | .... | orchestrator (uncredited) | |
Other crew | |||
| Jack Baker | .... | choreographer: "Gold Fever" and "Best Things" | |
| Cheryl Crawford | .... | presented on the stage by | |
| Joseph Curtis | .... | dialogue coach | |
| Jonas Halperin | .... | assistant to producer | |
| Gene Levy | .... | production coordinator | |
| David Stone Martin | .... | title designer | |
| Marshall J. Wolins | .... | script supervisor (as Marshall Wolins) | |
| Dominic Santarone | .... | caterer (uncredited) | |
| Ruth Santarone | .... | caterer (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Is the movie great? No, but it is a good one. If it were great, it would not suffer from it's long running time. A wider audience would no doubt warm to a shorter version. More is the pity, too, because the movie has much to offer. The scenery is beautiful; the sets reconstructions are first rate. Listen to the lyrics of some of the songs ('Gold Fever' and 'The First Thing You Know' are two good examples) and you can appreciate the wordsmithing skill of Alan Jay Lerner. If you like a large all-male chorus, the film offers some of the best singing of that kind you are likely to hear. Listen especially during 'There's a Coach Coming In'.
I must confess a guilty admiration for characters who are unapologetically amoral and corrupt, at least as defined by 'respectable society'. I wouldn't necessarily want one for a neighbor or even a friend (well .. maybe), but they are fascinating on film or stage. If the film is a comedy, they can be hilarious and often steal the show. All you need is the right actor to fill the role. Paint Your Wagon offers one of the most uproariously amoral characters on film, brought to amazing life by Lee Marvin. He delivers Ben Rumson's imminently quotable home-spun philosophy of life with great relish and comedic timing. Can he sing? No. But then would a somewhat dissipated Gold Rush miner likely be a good singer? His non-singing actually fits.
The rest of the cast is good but not exceptional. Ray Walston is memorable as Mad Jack. I still find it hard to spot the actor I am used to behind the beard and accent. He also has some great lines. Harve Presnell is the only truly major-league singer in the cast and delivers the most memorable song. The remaining actors are adequate. Eastwood is good but replaceable. Jean Seaberg is not Meryl Streep but is certainly easy on the eyes. The townsfolk are solid.
An enjoyable movie, with Lee Marvin's performance worth the price of admission. It is too bad it requires such a long time commitment to experience it all.