Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
A Michigan farmer and a prospector form a partnership in the California gold country. Their adventures include buying and sharing a wife, hijacking a stage, kidnaping six prostitutes, and turning their mining camp into a boomtown. Along the way there is plenty of drinking, gambling, and singing. They even find time to do some creative gold mining. Written by
David J. Kiseleski <firstname.lastname@example.org>
This film falls in with 'Little Shop of Horrors' and 'The Blues Brothers' in the very short list of musicals I really love.
It's Lee Marvin who makes the film. You could have replaced Eastwood or Seberg with almost any other actor or actress; it's Marvin's performance as Ben Rumson that brings this movie to life. All the way through, his facial expressions communicate volumes about his character - for a quick instance, watch his eyes as he prepares to eulogize Pardner's dead brother in an early scene.
Anyone else could have played Pardner or Elizabeth and done as good a job, but Lee Marvin gave us a Ben Rumson that I don't think anyone could equal. He does more just by his looks and body comedy than could be expected.
If you disagree, please go back and watch what I think is his best scene: Rumson trying to walk nonchalantly away from No Name City as it sinks into the collapsing tunnels he built under it.
A fantastic film. It's only average, if you don't have the capacity to fast-forward through Eastwood's and Seberg's songs.
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