Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A Michigan farmer and a prospector form a partnership in the California gold country. Their adventures include buying and sharing a wife, hijacking a stage, kidnaping six prostitutes, and turning their mining camp into a boomtown. Along the way there is plenty of drinking, gambling, and singing. They even find time to do some creative gold mining. Written by
David J. Kiseleski <email@example.com>
The original Broadway production of "Paint Your Wagon" opened at the Shubert Theater on November 12, 1951 and ran for 289 performances. See more »
Soon after Ben, Pardner, and Mad Jack open their secret "gold mine" underneath No Name City, a young farmer is recruited to help dig. To emphasize the need for secrecy, Mad Jack threatens to shove a stick of dynamite in the farmer's mouth if he blabs. The film is set in 1849 or 1850, before California becomes a state. Dynamite wasn't yet invented (it was patented by Alfred Nobel in 1867). See more »
Is it your proposal, Mr. Rumson, that we knock out the stage driver, steal a coach, and kidnap six women?
Sounds better every time I hear it.
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Joshua Logan's screen version of "Paint your wagon" works a treat, perhaps because the original stage version is so little known and apparently has been given something of a make-over by screen writer Paddy Chayefsky. The fact that the leads (Lee Marvin, Clint Eastwood and Jean Seberg) can't sing matters not a jot; they perform with charisma, (even Seberg is less wan than usual) and bring a touch of realism to the proceedings, their songs seeming to evolve naturally from the action. Other singing duties are performed by the splendid Harve Presnell and a rousing, mostly male, chorus for this is a musical western of a more robust kind than "Seven Brides for Seven Brothers". It's plot, which concerns mining for gold, polygamy and the building of a town, fairly races along. Logan handles the whole thing with great aplomb and brings to it some nice, naturalistic touches sadly lacking from his earlier musicals, "South Pacific" and "Camelot". Most critics didn't warm to it, though and it remains largely under-valued.
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