Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
The survivors of an Army patrol ambushed by Indians hook up with a group of cowboys who have also been attacked, and together they try to get to safety at the fort. Unfortunately for them, ... See full summary »
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A Michigan farmer and a prospector form a partnership in the California gold country. Their adventures include buying and sharing a wife, hijacking a stage, kidnaping six prostitutes, and turning their mining camp into a boomtown. Along the way there is plenty of drinking, gambling, and singing. They even find time to do some creative gold mining. Written by
David J. Kiseleski <email@example.com>
Released at a time when musicals were rapidly going out of fashion, the film went notoriously over budget and behind schedule. Opening to mostly negative reviews, it was not the huge box office success that the producers had hoped. See more »
During "The Best Things In Life Are Dirty", Ben Rumson rides up on a cart full of sloppy mud. The three Irishmen, led by Mad Jack, are pulling the cart up on a block and tackle, with a heave-ho motion. The cart should rise a few inches at a time, to synch up with their motions. Instead, while they pull and rest, pull and rest, the cart rises out of the pit at a constant speed. See more »
Is the movie great? No, but it is a good one. If it were great, it would not suffer from it's long running time. A wider audience would no doubt warm to a shorter version. More is the pity, too, because the movie has much to offer. The scenery is beautiful; the sets reconstructions are first rate. Listen to the lyrics of some of the songs ('Gold Fever' and 'The First Thing You Know' are two good examples) and you can appreciate the wordsmithing skill of Alan Jay Lerner. If you like a large all-male chorus, the film offers some of the best singing of that kind you are likely to hear. Listen especially during 'There's a Coach Coming In'.
I must confess a guilty admiration for characters who are unapologetically amoral and corrupt, at least as defined by 'respectable society'. I wouldn't necessarily want one for a neighbor or even a friend (well .. maybe), but they are fascinating on film or stage. If the film is a comedy, they can be hilarious and often steal the show. All you need is the right actor to fill the role. Paint Your Wagon offers one of the most uproariously amoral characters on film, brought to amazing life by Lee Marvin. He delivers Ben Rumson's imminently quotable home-spun philosophy of life with great relish and comedic timing. Can he sing? No. But then would a somewhat dissipated Gold Rush miner likely be a good singer? His non-singing actually fits.
The rest of the cast is good but not exceptional. Ray Walston is memorable as Mad Jack. I still find it hard to spot the actor I am used to behind the beard and accent. He also has some great lines. Harve Presnell is the only truly major-league singer in the cast and delivers the most memorable song. The remaining actors are adequate. Eastwood is good but replaceable. Jean Seaberg is not Meryl Streep but is certainly easy on the eyes. The townsfolk are solid.
An enjoyable movie, with Lee Marvin's performance worth the price of admission. It is too bad it requires such a long time commitment to experience it all.
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