Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
A Michigan farmer and a prospector form a partnership in the California gold country. Their adventures include buying and sharing a wife, hijacking a stage, kidnaping six prostitutes, and turning their mining camp into a boomtown. Along the way there is plenty of drinking, gambling, and singing. They even find time to do some creative gold mining. Written by
David J. Kiseleski <firstname.lastname@example.org>
According to Eastwood's character, 'Pardner', in a scene toward the very end of the movie, his real name is 'Sylvester Newel'. "With one 'L'", as stated by the character, himself. See more »
At the end of the movie, the tunnel system collapses and the buildings start to topple over. In several shots the cables used to pull over various buildings are clearly apparent, even though it appears that attempts were made to camouflage them with pennants. What gives it away is that the 'pennants' (until the buildings they are attached to topple over) are clearly under far too much strain to be merely hung as decorations. See more »
Is it your proposal, Mr. Rumson, that we knock out the stage driver, steal a coach, and kidnap six women?
Sounds better every time I hear it.
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Joshua Logan's screen version of "Paint your wagon" works a treat, perhaps because the original stage version is so little known and apparently has been given something of a make-over by screen writer Paddy Chayefsky. The fact that the leads (Lee Marvin, Clint Eastwood and Jean Seberg) can't sing matters not a jot; they perform with charisma, (even Seberg is less wan than usual) and bring a touch of realism to the proceedings, their songs seeming to evolve naturally from the action. Other singing duties are performed by the splendid Harve Presnell and a rousing, mostly male, chorus for this is a musical western of a more robust kind than "Seven Brides for Seven Brothers". It's plot, which concerns mining for gold, polygamy and the building of a town, fairly races along. Logan handles the whole thing with great aplomb and brings to it some nice, naturalistic touches sadly lacking from his earlier musicals, "South Pacific" and "Camelot". Most critics didn't warm to it, though and it remains largely under-valued.
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