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11 out of 14 people found the following review useful:
Something You Haven't Seen Before, 13 December 2007
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Author:
Joseph Sylvers from United States
Vera Chytilova's Fruit Of Paradise, is a lost masterpiece of a film.
Lost because Chytilova was not permitted to make any films for decades,
after her first film Daisies(another gem), was censored and banned by
the Soviet/Czech government. These films show us a new language in
cinema, that never got to develop. Her use of sound alone in this film
puts her on par with Godard and Leone, her use of color is unlike
anything I have ever seen(the first 10 minutes in Eden are a luminous
collage of images, patterns, and live actors), and her sense of
story(arguably her least accessible trait) is like Bunuel or
Svankmajor(her fellow Czech), albeit with a distinctly feminist,
whimsicle, slapstick bent.
The story is an allegory of Adam and Eve, in a modern(made in 60's)
Health Retreat. The action involves our heroin wandering the grounds
where she becomes obsessed with a mysterious man in red, who may or may
not be a killer. What follows is a fragmented story of awakening, it's
pains and pleasures, but don't look more literally than that, like
Lynch's Inland Empire, it's best to view this film topologically(on the
surface), as an aesthetic object like a painting, rather than a
cinematic tool for conveying a "message". Not that you cant or
shouldn't get anything more out of this film, than a lesson in the
expansive possibilities of film-making itself, but you get out of it,
what you put into it. If you want to just watch the pretty colors, it's
got that, if you want to argue about "ontological freedom and meaning",
you could use this film as a trampoline, but that role rests here on
the viewer.
Chytilova's film's however cannot be accurately described by text, they
have to be viewed, listened to puzzled over, drank with(a glass or two
of wine), and then viewed again. If your looking for a novel experience
in a sea of modern cinematic redundancy, the Fruit Of Paradise, is the
food for you. If you want to watch realistic characters, exchange in
pseudo-naturalistic dialoge about modern issues of social import,
"Crash" can be found at your local blockbuster, if you've watched Maya
Deren, Luis Bunuel, or Kenneth Anger, and said, why can't there be more
films like this; then Netflix, steal, beg, borrow,(or try your local
library), but find this film. That goes double for Chytilova's first
film Daisies, which is as adventurous as this, but is more slapstick to
this films baroque; basically a lot more fun.
10 out of 17 people found the following review useful:
Even more bizarre than "Daisies"!, 25 July 2006
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Author:
NateManD from Bloomsburg PA
"The Fruit of Paradise" is a breathtaking experimental film from Vera Chytilova. Well known for her surreal feminist comedy "Daisies" (1966), Chytlova uses many of the same hallucinatory camera tricks for "The Fruit of Paradise". I used to think that the film "Begotten" was original until I saw the "Fruit of Paradise". The film's first 15 minutes is highly psychedelic as it tells the story of creation. There are layers of image on top of image with fast camera cuts. The film almost made my head spin with it's fast pace, use of color and bizarre experimental sound effects. Then it breaks out into a song about Adam & Eve, which is hauntingly catchy. Now if only I could learn Czech. Then the story of Adam and Eve goes to a modern setting. The devil is portrayed as creepy man of middle age; a persistent stalker and serial killer of women. Eva and her boyfriend go on vacation to a health spa, where they encounter temptation. The devil gets Eva to eat the forbidden fruit. Then the film becomes very comical throughout, as the Devil chases adorable Eva everywhere she goes. Very deep, surreal and philosophical, "The Fruit of Paradise" is another underrated masterpiece to Czech out! This lost classic is finally available at www.facets.org or Amazon.com if you want to save money.
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