A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
George Lazenby steps into the role of James Bond and is sent on his first mission. For help with Draco, he must become very close friends with his daughter, Tracy, and heads off to hunt down Ernst Stavro Blofeld one more time. This takes him to Switzerland, where he must pose as Sir Hilary Bray to find out the secret plan of Blofeld. The facility is covered with Blofeld's guards as well as his hench-woman, Irma Bunt. What has Blofeld got in mind this time? Can Bond keep up this act for much longer? Are ANY Bond girls safe? Written by
Lyrics were originally intended for John Barry's main theme, but were later rejected in favor of Louis Armstrong's memorable rendition of "We Have All The Time In The World". This love theme composed by John Barry and written by Hal David was the last song ever recorded by Louis Armstrong. A re-mix of the song "We Have All The Time In The World" was a No. #3 hit in the UK twenty five years after the movie was originally released. The song has also been covered by Iggy Pop and it can be heard on the David Arnold Bond song compilation album, "Shaken and Stirred: the David Arnold James Bond Project". This album also features a cover of the film's OHMSS main title theme performed by The Propellerheads. See more »
When Bond meets Blofeld for the first time Blofeld starts to undo the buttons on his jacket. When we next cut back to Blofeld, his buttons are all done up. See more »
I've been saying for years, sir, that our special equipment is obsolete. And now, computer analysis reveals an entirely new approach: miniaturization. For instance, radioactive lint. When placed in an opponent's pockets, the anti-personnel and location fix seems fairly obvious.
What we want is a location fix on 007.
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JAMES BOND 007 WILL RETURN in "DIAMONDS ARE FOREVER" See more »
To understand the controversy behind `On Her Majesty's Secret Service,' one must understand the events so impacting the spy genre by the time of its production in 1969. After the back to back tremendous successes of `Goldfinger' and `From Russia With Love,' every hack producer and distributor rushed to make spy movies. There were serious ones (`The Spy That Came in From the Cold,' `The Ipcress File'), satirical ones (`Our Man Flint,' `The Man From U.N.C.L.E.,' `Get Smart' ), and incredibly silly ones (`The Silencers,' `Last of the Secret Agents,' `Casino Royale'). `Casino Royale' was especially damaging, since it was (VERY LOOSELY) based on a Fleming novel, and used the character of James Bond, 007. In fact, in `Casino Royale,' nearly EVERYBODY played `James Bond'. `If we don't know what we are doing, how will the enemy,' was the explanation `James Bond' (David Niven) gave to explain why MI6 was calling all its agents `James Bond'. To protect their franchise, the producers of the `real' James Bond movies emphasized in their promotion `Sean Connery IS James Bond.' In a demonstration of `gratitude,' Connery up and quit the series, leaving `On Her Majesty's Secret Service,' which was shortly to go into production, without a `Bond.'
Arguably the most ambitious and difficult to shoot of ALL the Bond films (at least to that time), it's a miracle ANYTHING works in OHMSS. Much of the time it works VERY well, though the shaky underpinnings of the first hour frequently threaten to undo it. There is so much choppy editing and dubbed dialogue, one begins to suspect he is watching a foreign film. The second hour plus works much better, all the more surprising since it was shot first. One reason may be that the film went WAY over both shooting schedule and budget, and there was enough made up `bad' press to put a great deal of pressure on the producers, first time director, Peter Hunt and star, George Lazenby. In the middle of it all, Lazenby's publicist announced that Lazenby was not going to do another Bond (Lazenby is credible when he says that announcement was not his idea. One suspects, from the bonus material, that Cubby Broccoli planted that story to discredit Lazenby, should the film fail). Add to all this the films' tacked-on, unhappy ending (planned to be the prologue for `Diamonds are Forever'), which plays completely against the humor of earlier moments, and it's a wonder the film was NOT a dismal failure. Quite the contrary, OHMSS is one of the BEST of the Bond films, filled with nonstop action, outstanding stunts, incredible sound, the best score (along with `Goldfinger') and a credible enough romance to lend it genuine poignancy. Lazenby overcame many tremendous handicaps: having to replace one of the best known and popular actors in the world; he was 28, younger than Connery when he made `Dr. No'; he was completely inexperienced as an actor (OHMSS was Lazenby's FIRST movie, not just his first starring role); his accent (thick Australian outback) and the INCREDIBLE physical demands (Lazenby did many of his own stunts). Considering all this, Lazenby is downright remarkable. Certainly, in my opinion he is better than either the snooty Timothy Dalton or the lightweight Roger Moore were in ANY of their outings as Bond.. The bonus feature on the DVD concludes with strong evidence that Lazenby became a scapegoat, despite the eventual financial success of OHMSS. Lazenby, refreshingly displays no bitterness that his career nearly ended as soon as it began. He's had a reasonably busy career playing character roles and we have OHMSS. Not a bad deal at all.
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