| Vincent Price | ... | Julian | |
| Christopher Lee | ... | Dr. Newhartt | |
| Rupert Davies | ... | Kemp | |
| Uta Levka | ... | Heidi | |
| Sally Geeson | ... | Sally | |
| Alister Williamson | ... | Edward | |
| Peter Arne | ... | Trench | |
| Hilary Heath | ... | Elizabeth (as Hilary Dwyer) | |
| Maxwell Shaw | ... | Hackett | |
| Carl Rigg | ... | Norton | |
| Harry Baird | ... | N'Galo | |
| Godfrey James | ... | Weller | |
| James Mellor | ... | Holt | |
| John Barrie | ... | Franklin | |
| Ivor Dean | ... | Hawthorne | |
| Danny Daniels | ... | Witchdoctor | |
| Michael Balfour | ... | Ruddock | |
| Hira Talfrey | ... | Martha | |
| John Wentworth | ... | Parson | |
| Betty Woolfe | ... | Mrs. Hopkins | |
| Martin Terry | ... | Sailor | |
| Anne Clune | ... | Prostitute | |
| Jackie Noble | ... | Prostitute | |
| Ann Barrass | ... | Prostitute (as Ann Barass) | |
| Jan Rossini | ... | Prostitute | |
| Zeph Gladstone | ... | Trench's Girl | |
| Tara Fernando | ... | Gypsy Dancer | |
| Tony Thawnton | ... | Man in Tavern | |
| Anthony Bailey | ... | Talbot | |
| Richard Cornish | ... | Groom | |
| Colin Jeavons | ... | Doctor | |
| Andreas Malandrinos | ... | Baron (as Andreas Melandrinos) | |
| Hedgar Wallace | ... | Major (as Hedger Wallace) | |
| Martin Wyldeck | ... | Constable | |
| Oh! Ogunde Dancers | ... | Africans | |
| rest of cast listed alphabetically: | |||
| Sean Barry-Weske | ... | Molester in Tavern (uncredited) | |
| Eddie Powell | ... | Fighting Man in Tavern (uncredited) | |
| Nick Tate | ... | Young Man in Tavern (uncredited) | |
Directed by | |||
| Gordon Hessler | |||
Writing credits | ||
| Lawrence Huntington | (screenplay) | |
| Christopher Wicking | (additional dialogue) | |
| Edgar Allan Poe | story (uncredited) | |
Produced by | |||
| Pat Green | .... | associate producer | |
| Gordon Hessler | .... | producer | |
| Louis M. Heyward | .... | executive producer | |
Original Music by | |||
| Harry Robertson | (as Harry Robinson) | ||
Cinematography by | |||
| John Coquillon | (director of photography) | ||
Film Editing by | |||
| Max Benedict | |||
Art Direction by | |||
| George Provis | |||
Makeup Department | |||
| Jimmy Evans | .... | makeup artist | |
| Bobbie Smith | .... | hairdresser | |
Production Management | |||
| Bryan Coates | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Derek Whitehurst | .... | first assistant director | |
Art Department | |||
| George Lack | .... | assistant art director | |
| Terence Morgan | .... | set dresser | |
| W. Simpson Robinson | .... | scenic artist (as W. Simpson-Robinson) | |
Sound Department | |||
| Rowland Fowles | .... | boom operator | |
| Bob Jones | .... | sound mixer | |
| Bob Peck | .... | sound recordist | |
| Michael P. Redbourn | .... | sound editor (as Michael Redbourn) | |
| Tony Dawe | .... | adr & foley mixer (uncredited) | |
Camera and Electrical Department | |||
| Les Young | .... | camera operator | |
| Nobby Cross | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Kay Gilbert | .... | wardrobe | |
Editorial Department | |||
| Oliver Waterlow | .... | assistant editor | |
Music Department | |||
| Philip Martell | .... | conductor | |
Other crew | |||
| Peter Howitt | .... | titler | |
| Barbara Rowland | .... | continuity | |
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| My Own Private Idaho | Gone with the Wind | Fellini Satyricon | Freeway | The Phantom of the Opera |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Disfigured in an African ritual, Edward is kept, "protected", by his brother Julian by being kept chained up in attic. He fakes his death to escape from Julian and another man is killed to take Edward's place in the "oblong box". Film looks like a low-key, photographed stageplay, a well-dressed period piece having little to do with Poe's short story, besides the title box. This is one of those films to watch primarily to enjoy the cast, lush settings and photography, hooded killers, throat-slicings, and a couple of good scares along the way, even if it has little if anything to do with Poe, just don't get one's hopes too high up. It does have a good unmasking scene, and genuinely creepy twist-ending, which still stood out in my mind years after I had last seen this film.
Favourite line: "I'll only do my prowling at night."