| Joan Crawford | ... | Miss Menlo | |
| Ossie Davis | ... | Osmund Portifoy | |
| Richard Kiley | ... | Strobe | |
| Roddy McDowall | ... | Jeremy Evans | |
| Barry Sullivan | ... | Dr. Frank Heatherton | |
| Tom Bosley | ... | Sidney Resnick | |
| George Macready | ... | Hendricks | |
| Sam Jaffe | ... | Bleum | |
| Norma Crane | ... | Gretchen | |
| Barry Atwater | ... | Carson | |
| George Murdock | ... | 1st Agent | |
| Tom Basham | ... | Gibbons | |
| Byron Morrow | ... | Packer | |
| Garry Goodrow | ... | Louis | |
| Shannon Farnon | ... | 1st Nurse | |
| Richard Hale | ... | Doctor | |
| rest of cast listed alphabetically: | |||
| Rod Serling | ... | Himself - Host | |
| Bruce Kirby | ... | Artist (uncredited) | |
| Episode Crew |
Directed by | |||
| Boris Sagal | (segment "The Cemetery") | ||
| Barry Shear | (segment "Escape Route") | ||
| Steven Spielberg | (segment "Eyes") | ||
Writing credits | ||
| Rod Serling | (written by) | |
Produced by | |||
| John Badham | .... | associate producer | |
| William Sackheim | .... | producer | |
Original Music by | |||
| Billy Goldenberg | (as William Goldenberg) | ||
Cinematography by | |||
| Richard Batcheller | (director of photography) | ||
| William Margulies | (director of photography) | ||
Film Editing by | |||
| Edward M. Abroms | |||
Art Direction by | |||
| Howard E. Johnson | |||
Set Decoration by | |||
| John McCarthy Jr. | (as John McCarthy) | ||
| Perry Murdock | |||
| Joseph J. Stone | (as Joseph Stone) | ||
Costume Design by | |||
| Burton Miller | |||
Makeup Department | |||
| Larry Germain | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
Production Management | |||
| Ben Bishop | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Ralph Ferrin | .... | assistant director | |
| Marty Hornstein | .... | assistant director | |
Art Department | |||
| Jaroslav Gebr | .... | painter: paintings | |
Sound Department | |||
| Elbert W. Franklin | .... | sound | |
| James T. Porter | .... | sound | |
Stunts | |||
| Julie Ann Johnson | .... | stunts (uncredited) | |
Editorial Department | |||
| Richard Belding | .... | editorial supervisor | |
| Robert Brower | .... | color coordinator | |
Music Department | |||
| Stanley Wilson | .... | music supervisor | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Drama section | IMDb USA section |
Very well made TV movie, with 3 different stories. the first stars Roddy McDowall as a bastard nephew who kills his uncle to take his money, then is haunted by the ghost of the uncle (or so he thinks) to death. Ossie Davis also stars in this episode, and he's wonderful. This is my personal favorite of the three. Roddy is snide and sly as the nephew, and when he starts to come unhinged he's marvelous. The second stars Richard Kiel as a WWII concentration camp captain hiding in some South American city, where he becomes strangely fixated with an idyllic painting of a man fishing in a mountain lake. The painting hangs in a museum, and he spends day after day in there just staring at it and eventually feels himself drawn into the painting. It's a relief to be hounded no longer by the war crimes police when he's in the painting. But back in reality he's recognized as a Nazi who was condemned after the war, and a former camp inmate tells the police about him. Kiel runs to the museum, intent on going into the life in the painting for good. But he makes a big, big mistake and will spend eternity paying for it and his crimes against humanity. The last episode stars Joan Crawford in a pretty much one-woman play. She's a blind rich woman, living in a huge penthouse apartment in NYC, who pays a loser for his corneas so that she can have them transplanted in her eyes. The kicker is that she will only be able to see for about 8 hours, and she doesn't care a bit that the man she takes the corneas from will be blind forever. She has the operation, and when the time comes to take the bandages off, the instant she does the city is plunged into a blackout. She spends the 8 hours trying to get out of the apartment building in the dark stairwells, and finally makes it back to her apartment when the sun comes up. She finally sees the sun, but it's the last thing she does.
I love this movie; and I also loved Night Gallery, but this film has 3 different viewpoints and would appeal to a large audience. All the performances are excellent. Steven Spielberg directed the Joan Crawford segment, "Eyes"; it was one of his first director assignments.