In the pilot of the television series _"Night Gallery" (1970)_ , Rod Serling introduces three separate paintings, each with its own story of uncanny vengeance against evil to tell. The first, "The Cemetery", involves a black sheep nephew (Roddy McDowall) who murders his rich uncle to inherit his fortune - both much to the detriment of the uncle's butler (Ossie Davis) - only to find that vengeance extends beyond the grave. In the second story, "Eyes", a rich, heartless woman ('Joan Crawford' ) who has been blind from birth blackmails an aspiring surgeon and a man who desperately needs money to give her a pair of eyes which will allow her to see for the first time - even though for only half a day's time - only to have the plan backfire on her in ways she never imagined. In the third story, "The Escape Route", a Nazi war criminal (Richard Kiley) is hiding from the authorities in South America, where he is confronted with his past demons and a curious Holocaust survivor (Sam Jaffe) and ... Written by
Curly Q. Link
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In the opening segment, the proximity and arrangement of the trees and headstones of the family graveyard varies wildly between shots and points of view; particularly the direction in which the prominent "Hendricks" monument faces and where the small tree outside the window is. See more