An Upper-Egyptian clan robs a cache of mummies and sells the artifacts on the illicit antiquities black market. After a conflict within the clan, one of its members goes to the police, helping the Antiquities Service find the cache.
A poor peasant woman becomes a symbol of worker oppression in this somber social drama directed by Henri Barakat. Azziza (Faten Hamama) is brutally raped by a guard when she goes into the ... See full summary »
The film revolves around "hassan", who works as a driver for a bus transfer in during the day and as a taxi driver (taxi) at night. He is the only brother of five daughters, and his father ... See full summary »
Nabila El Sayed,
A small peasant village's struggles against the careless inroads of the large local landowner, The Land shows why political oppression does not necessarily lead to a sense of solidarity among the disinherited.
Ezzat El Alaili
After the death of the father, the family consisting of a mother and two young men and a girl themselves without a breadwinner finds, to begin each of them in the direction to a different ... See full summary »
Kinawi, a physically challenged peddler who makes his living selling newspapers in the central Cairo train station, is obsessed by Hannouma, an attractive young woman who sells drinks. ... See full summary »
Sheikh Hosny is a blind man who lives with his old mother and his frustrated son in the Kit Kat neighborhood. His son Youssef dreams of going to Europe to find work, and has a relationship ... See full summary »
Mahgoub Abdel Dayem a young nihilistic college student, having his father crippled with no other source of income, he finds himself in an urgent need of a job after graduation to support ... See full summary »
A culinary piece of cinema. This humourous critique of dehumanisation in big-city life depicts a depressed urban dweller who leaves for the countryside, where he tries to sell a piece of ... See full summary »
Aida Abdel Aziz,
Tawfik El Deken,
As ethics is degraded in the Egyptian society; a chemist deceive his punk brother with a nonnarcotic drug that he created to prove that it's all delusional. So the punk tries to convince him to produce the substance for a greedy drug lord.
Universally recognized as one of the greatest Egyptian films ever made, The Night of Counting the Years is based on a true story: in 1881, when precious artifacts began showing up at market, it was discovered that members of the ancient Horbat tribe were secretly raiding Deir al-Bahari, the site of a legendary cache of royal mummies. The tribe had little livelihood other than selling antiquities, putting them in conflict with the Egyptian government's Antiquities Organization. After reading the script, Roberto Rossellini agreed to lend his name to the project, and Shadi Abdel Salam's film was completed in 1969. This cinematic treat was extremely difficult to see from the 1970s onward until last year's beautiful restoration by Martin Scorsese's World Cinema Foundation. Using original 35mm camera and sound negatives preserved at the Egyptian Film Center in Giza, the restoration preserves the film's poetic beauty, its evocative sense of history, and its themes of desecration and ... Written by
This film should be more important than it is, but the director (and editor) makes the fatal error of assuming that if a film is slow it is automatically artistic. No, sometimes a film that is slow is nothing but, and all the great things in your picture quickly fade from memory when you leave the theater or rewind the tape.
This is the conflict of the film: the chief of the Horabbat tribe has just died and his sons are in line to take order, but they object to the tribe's way of making a living: tomb robbing and selling ancient relics to foreigners. This has been their way of doing things for a couple of millennia, and the tribe elders try to get rid of the two brothers. At the same time, archeologists from Cairo have come down to excavate and save the relics from being sold to foreigners, while at the same time stealing the relics to take back to Cairo. To tell you the truth, I can't remember too much after that, though I just stopped watching it two hours ago. It is very ambiguous about who is in the right, and the ending is, if I understood it, lacking any sort of climax.
The best things about this film are its cinematography and its score, both of which are exemplary. It's too bad the narrative is so confusing and, well, frankly, boring. It's worth seeing, but, since it's not on video, it's certainly not worth going to great lengths to see it. 7/10.
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