Mormon Temple Film (1969)

A montage of scenes depicting the creation of the world is followed by a dramatization of the travails of Adam and Eve, as they are tempted by Lucifer, ejected from the Garden of Eden, and ... See full summary »

Director:

Judge Whitaker

Stars:

Bryce Chamberlain, Ron Frederickson, Gordon Jump

Cast

Credited cast:
Bryce Chamberlain	...	Jehovah
Ron Frederickson	...	Lucifer
Gordon Jump	...	The Apostle Peter
Hank Kester	...	Adam
Charles Metten	...	The Apostle James
R. LeRoi Nelson	...	The Apostle John
Spencer Palmer	...	Minister
Robert Peterson	...	Jehovah (voice)
Lena Tulaunen Rogers	...	Eve
Glen Shaw	...	Narrator
Jesse Stay	...	Elohim
Lael Woodbury	...	Elohim (voice)

Storyline

A montage of scenes depicting the creation of the world is followed by a dramatization of the travails of Adam and Eve, as they are tempted by Lucifer, ejected from the Garden of Eden, and taught by Peter, James, and John the secret tokens that will one day admit them to God's Celestial Kingdom. Audience members make the same covenants as Adam and Eve during the course of the film.

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Plot Keywords:

creation | jehovah | lds film | faith | christianity | 

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Genres:

Drama | Fantasy

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Details

Country:

USA

Language:

English

Also Known As:

Project #134

Company Credits

Production Co:

Brigham Young University

Did You Know?

Trivia

Known at the B.Y.U. Department of Motion Picture Production as "production 134" which was used to replace "production 100" which had been used for many years.

User Reviews

Please don't treat this like a theatrical presentation, because it isn't one

This film is part of someone's personal devotion. I would hope that, however weird or twisted some may consider that devotion to be, any viewing or commenting on this entry would at least accord it the respect that they would hope would be accorded to their own personal devotion, religious or otherwise. It is disrespectful and irrelevant to treat it in the same fashion in which you would treat a film that was intended as a salable entertainment experience for public consumption. It was never intended as a commercial product, or an entertainment experience, or anything remotely similar thereunto. If treating that which is important to others in this sort of mischaracterized and derogatory fashion cannot be avoided, please have the common courtesy not to do so in a public setting. No one who has seen this in the setting in which it was designed to be viewed, or is involved with what it represents, is interested in outside commentary on it.