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Midnight Cowboy (1969)

X  |   |  Drama  |  16 June 1969 (Brazil)
8.0
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Ratings: 8.0/10 from 68,849 users  
Reviews: 324 user | 80 critic

A naive prostitute and his sickly friend struggle to survive on the streets of New York City.

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(screenplay), (based on the novel by)
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Title: Midnight Cowboy (1969)

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Won 3 Oscars. Another 27 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Mr. O'Daniel
...
Shirley
...
Towny
...
Sally Buck - Texas
...
Annie - Texas
Gilman Rankin ...
Woodsy Niles - Texas (as Gil Rankin)
Gary Owens ...
T. Tom Marlow ...
George Eppersen ...
Ralph - Texas
Al Scott ...
Cafeteria Manager - Texas
Linda Davis ...
Mother on the Bus - Texas
J.T. Masters ...
Old Cow-Hand - Texas
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Storyline

Texas greenhorn Joe Buck arrives in New York for the first time. Preening himself as a real 'hustler', he finds that he is the one getting 'hustled' until he teams up with a down-and-out but resilient outcast named Ratso Rizzo. The initial 'country cousin meets city cousin' relationship deepens. In their efforts to bilk a hostile world rebuffing them at every turn, this unlikely pair progress from partners in shady business to comrades. Each has found his first real friend. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

For those who have never seen it and those who have never forgotten it. (1980 re-release) See more »

Genres:

Drama

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

16 June 1969 (Brazil)  »

Also Known As:

Perdidos en la noche  »

Box Office

Budget:

$3,600,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Contrasting Opinions #2: According to Dustin Hoffman himself, the taxi incident *wasn't* scripted. During an L.A. Times interview in Jan. 2009, he said that the movie didn't have a permit to close down the NYC street for filming, so they had to set-up the scene with a hidden camera in a van driving down the street, and remote microphones for the actors. After 15 takes, it was finally going well, but this time, as they crossed the street, a taxi ran a red light. Hoffman wanted to say "Hey, we're SHOOTING here!", not only from fear of his life, but also from anger that the taxi driver might have ruined the take. Instead, being the professional that he is, he stayed in character and shouted "Hey, we're WALKING here!" and made movie history. Jon Voight also backs up this version of the incident, saying that seeing how well Hoffman was handling the situation, he likewise stayed in character. See more »

Goofs

After Joe Buck's encounter with Towny, he and Ratso board the bus to Miami. But the bus then enters the south tube of the Lincoln Tunnel, which only carries eastbound traffic into New York. See more »

Quotes

[first lines]
Joe Buck: Whoopee-tee-yi-yo. Get along little dogies. It's your misfortune and none of my own.
See more »

Connections

Referenced in Take Me Home Tonight (2011) See more »

Soundtracks

Jungle Jim at the Zoo
(Also called "Jungle Gym at the Zoo")
Music and Lyrics by Stan Bronstein (uncredited) and Rick Frank (uncredited)
Produced by Wes Farrell for Buddah Records
Sung by Elephant's Memory (as Elephants Memory)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Much better than expected
5 December 2004 | by (UK) – See all my reviews

I sat down to watch "Midnight Cowboy" thinking it would be another overrated '60s/'70s movie. Some of my favorite films come from the '70s, in the same vein as "Midnight Cowboy" ("Taxi Driver," "Mean Streets," "Panic in Needle Park," etc.) but there are many, many overrated ones as well that have gained strong reputations amongst critics for being groundbreaking - unfortunately a vast majority of them don't hold up as well today. I sort of feel this way about "Easy Rider." (Although it, too, is one of my favorites.)

So, I didn't expect much from "Midnight Cowboy" but got a lot back. It's a touching story, well-made and well-told with some of the best performances of all time. Dustin Hoffman, as Enrico "Ratso" Rizzo, gives one of his best - it's a bit funny at times (he sounds like a cartoon character when he speaks - maybe because of the Lenny/"Simpsons" connection), but Hoffman is entirely convincing. Half of the film's budget went towards his paycheck as he was just becoming a major star in Hollywood. Opposite him is the second-billed Jon Voight as Joe Buck, the "cowboy" who travels North to the Big Apple in the hopes of becoming a male prostitute. Soon his naive ways land him in trouble and he pairs up with a crippled scam artist named "Ratso" - who offers to become Joe's "manager" for a certain percentage of profits.

The movie is quite long at two hours but never really seems very long. Some films can tend to drag, especially some of the films that were made in the '70s because (as it's been said in "Easy Riders, Raging Bulls") the directors were the stars of the movies in the 1970s and occasionally they got a bit too infatuated with their material, going on too long examining characters/scenes/etc. that aren't important. Just about the only scene I felt was a bit too long and unnecessary was the drug party - it makes the film seem extremely outdated (similar to the drug odysseys in "Easy Rider") and really harms its flow because it's not needed.

Other than that, "Midnight Cowboy" is an almost flawless motion picture. I was pleasantly surprised. It does have its flaws (flashbacks are a bit tacky and never used as well as they could have been, for instance) and some of the scenes are a bit uneasy (such as the gay movie theater sequence) but if you can handle its content "Midnight Cowboy" is a truly great motion picture, an uncompromising examination of life on the streets in the late '60s/early '70s. It's a depressing movie, yes, and by today's standards might seem a bit outdated and heavy on the liberal perspective of "life is horrible, etc."...but I still love it and particularly the extremely touching ending will stay with me for a long, long time.

Highly recommended. One of the best films of the '70s. (It was technically released in late 1969 but I'd still categorize it as a 1970s film. It also won the Best Picture Oscar, being the first - and only - X-rated motion picture to do so. It was later re-rated R on appeal.)

4.5/5


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