Sister Cristina (Florinda Bolkan) plays a nun who takes the teenage girls in her care to a remote house where they rehearse A Midsummer Night's Dream. Three thugs show up, brutally raping ... See full summary »
Historical depiction of the events preceding the political murder of Archduke Franz Ferdinand, would-be emperor of the Austro-Hungarian throne, in Sarajevo, June 28, 1914. A World War would... See full summary »
A Venetian musician at La Fenice theatre is affected by an incurable disease. By chance he meets his ex-wife who is now living with another man. She finally realizes that she is still in ... See full summary »
Enrico Maria Salerno
Toti Dal Monte
Jean (Trintignant), a psychopath, casually witnesses a young woman's suicide. In his sick mind, he begins to be convinced he murdered her and starts sending letters to newspapers with ... See full summary »
I watched this film recently, and it strongly fascinated me. I think it testifies a typical mood of 60's, with sexual freedom, new forms of attraction, and mockeries about middle-class' values. Here the author attacks the institution of marriage, and the conception of couple, playing with the characters as with the pieces of chess. Five main characters look for a balance of their sexual life, but the only solution seems to be the triangle, a new form of social institution, regular as the couple and the marriage. The film shows a very old style, no more valuable, with primary colours, heavy make-ups and some aged machine movements. And the characters are unbelievable, speaking by some literary style and far from any likelihood, but the subtended theory is interesting, sarchastic, acid, painful, and finally delivering and anti-hypocritical. And the cast is great, particularly Trintignant, Girardot and Musante. And what a marvellous score!!! Viva Ennio Morricone!!!
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