Irish Colonel Charlie McPhearson has just had his platoon of twenty-eight slaughtered by German troops. Angered at his superiors for this suicide mission, he takes convicts on his next, ... See full summary »
Jean, a french businessman's life is forever changed when he overhears a brutal attack. Upon further investigation, he is introduced to the beautiful Nicole, a naive woman at the mercy of ... See full summary »
The Marquise Eugenia di Maqueda, an orphan raised by the nuns, marries Raimondo Corrao, but on their wedding night she finds out that he is her brother. The piece of news is in a letter ... See full summary »
Sgt. Sullivan puts together a group of Italian-Americans into disguise as Italian soldiers in order to infiltrate a North African camp held by the Italians. After the soldiers have knifed ... See full summary »
Lee Van Cleef,
A young girl called Claudia, flirts with two men, and at the same time, she is also having an affair with her step-mother who doles out her inheritance money from her dead father. Is she playing all three of them to get what she wants?
Annabella marries Soranzo, when she is pregnant by her brother Giovanni. Destiny, and jealousies will expose her past, and Soranzo broods revenge. But he is not alone in that - and death will unite all.
Giuseppe Patroni Griffi
I watched this film recently, and it strongly fascinated me. I think it testifies a typical mood of 60's, with sexual freedom, new forms of attraction, and mockeries about middle-class' values. Here the author attacks the institution of marriage, and the conception of couple, playing with the characters as with the pieces of chess. Five main characters look for a balance of their sexual life, but the only solution seems to be the triangle, a new form of social institution, regular as the couple and the marriage. The film shows a very old style, no more valuable, with primary colours, heavy make-ups and some aged machine movements. And the characters are unbelievable, speaking by some literary style and far from any likelihood, but the subtended theory is interesting, sarchastic, acid, painful, and finally delivering and anti-hypocritical. And the cast is great, particularly Trintignant, Girardot and Musante. And what a marvellous score!!! Viva Ennio Morricone!!!
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