Jean, a french businessman's life is forever changed when he overhears a brutal attack. Upon further investigation, he is introduced to the beautiful Nicole, a naive woman at the mercy of ... See full summary »
Doctor Popaul doesn't trust beautiful women: he says he prefers "moral beauty". Among colleagues he makes a bet who manages to sleep with the most ugly woman during the next year - and wins... See full summary »
In the 1860's, Giorgio (Giraudeau), a young Italian soldier is sent to a remote post, far away from his lover, Clara (Antonelli). He is lodged in the house of the colonel (Girotti). He ... See full summary »
A Venetian musician at La Fenice theatre is affected by an incurable disease. By chance he meets his ex-wife who is now living with another man. She finally realizes that she is still in ... See full summary »
Enrico Maria Salerno
Toti Dal Monte
Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for... See full summary »
A young girl called Claudia, flirts with two men, and at the same time, she is also having an affair with her step-mother who doles out her inheritance money from her dead father. Is she playing all three of them to get what she wants?
I watched this film recently, and it strongly fascinated me. I think it testifies a typical mood of 60's, with sexual freedom, new forms of attraction, and mockeries about middle-class' values. Here the author attacks the institution of marriage, and the conception of couple, playing with the characters as with the pieces of chess. Five main characters look for a balance of their sexual life, but the only solution seems to be the triangle, a new form of social institution, regular as the couple and the marriage. The film shows a very old style, no more valuable, with primary colours, heavy make-ups and some aged machine movements. And the characters are unbelievable, speaking by some literary style and far from any likelihood, but the subtended theory is interesting, sarchastic, acid, painful, and finally delivering and anti-hypocritical. And the cast is great, particularly Trintignant, Girardot and Musante. And what a marvellous score!!! Viva Ennio Morricone!!!
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