Newlyweds spend the night at a haunted mansion, having had car trouble. When the wife disappears, the husband's rich father sends a team of parapsychologists to get the wife back. Except ... See full summary »
Sgt. Sullivan puts together a group of Italian-Americans into disguise as Italian soldiers in order to infiltrate a North African camp held by the Italians. After the soldiers have knifed ... See full summary »
Lee Van Cleef,
Helmut is fed up traveling around he world. Coming back from Asia, he decides to stay some time in Alenxandra's house, a long time friend. She is living on a beautiful island where she is ... See full summary »
Bradamante, a woman wearing an invincible suit of armor, is travelling the countryside at the time of the Crusades. After ending up in the middle of a web of romantic and cultural tangles, ... See full summary »
Zeudi Araya Cristaldi,
Barbara De Rossi,
Based on the story of Franca Viola and Filippo Melodia. In Sicily, as a Mafia boss leaves for prison, he advises Vito, a young man who's his potential successor, to marry a virtuous and ... See full summary »
Irish Colonel Charlie McPhearson has just had his platoon of twenty-eight slaughtered by German troops. Angered at his superiors for this suicide mission, he takes convicts on his next, ... See full summary »
I watched this film recently, and it strongly fascinated me. I think it testifies a typical mood of 60's, with sexual freedom, new forms of attraction, and mockeries about middle-class' values. Here the author attacks the institution of marriage, and the conception of couple, playing with the characters as with the pieces of chess. Five main characters look for a balance of their sexual life, but the only solution seems to be the triangle, a new form of social institution, regular as the couple and the marriage. The film shows a very old style, no more valuable, with primary colours, heavy make-ups and some aged machine movements. And the characters are unbelievable, speaking by some literary style and far from any likelihood, but the subtended theory is interesting, sarchastic, acid, painful, and finally delivering and anti-hypocritical. And the cast is great, particularly Trintignant, Girardot and Musante. And what a marvellous score!!! Viva Ennio Morricone!!!
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