3 items from 2015
All week long our writers will debate: Which was the greatest film year of the past half century. Click here for a complete list of our essays. How to decide in the grand scheme of things which film year stands above all others? History gives us no clear methodology to unravel this thorny but extremely important question. Is it the year with the highest average score of movies? So a year that averages out to a B + might be the winner over a field strewn with B’s, despite a few A +’s. Or do a few masterpieces lift up a year so far that whatever else happened beyond those three or four films is of no consequence? Both measures are worthy, and the winner by either of those would certainly be a year not to be sneezed at. But I contend the only true measure of a year’s »
- Richard Rushfield
The Conversation is a new feature at Sound on Sight bringing together Drew Morton and Landon Palmer in a passionate debate about cinema new and old. For their third piece, they will discuss Michelangelo Antonioni’s Blow Up.
The cultural impact of Michelangelo Antonioni’s Blow Up would be very difficult to overemphasize. Upon release, Andrew Sarris referred to the film as “a mod masterpiece” and ‘Playboy’ critic Arthur Knight went so far as comparing the film to Hiroshima mon amour, Rome Open City, and Citizen Kane in its potential influence on filmmaking. The film was also a massive hit worldwide and the tenth highest grossing film in the United States in 1966 – a memento of a brief window in time in which an art film by an Italian auteur could also do boffo box office. And, having been denied a seal by the Production Code Administration, Blow Up »
- Drew Morton
Editor's Note: RogerEbert.com is proud to reprint Roger Ebert's 1978 entry from the Encyclopedia Britannica publication "The Great Ideas Today," part of "The Great Books of the Western World." Reprinted with permission from The Great Ideas Today ©1978 Encyclopædia Britannica, Inc.
It's a measure of how completely the Internet has transformed communication that I need to explain, for the benefit of some younger readers, what encyclopedias were: bound editions summing up all available knowledge, delivered to one's home in handsome bound editions. The "Great Books" series zeroed in on books about history, poetry, natural science, math and other fields of study; the "Great Ideas" series was meant to tie all the ideas together, and that was the mission given to Roger when he undertook this piece about film.
Given the venue he was writing for, it's probably wisest to look at Roger's long, wide-ranging piece as a snapshot of the »
- Roger Ebert
3 items from 2015
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