The battle of the sexes and relationships among the elite of Britain's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ... See full summary »
A criminal known as Thunderbolt is imprisoned and facing execution. Into the next cell is placed Bob Moran, an innocent man who has been framed and who is in love with Thunderbolt's girl. ... See full summary »
A hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, putting him into conflict with his treacherous wife, with a mysterious woman eager for death and with the phantom-like hit-man known only as Number One.
Simon is a student at a college in San Francisco. He is content to be on the rowing team and remain as just a casual observer to the on-campus unrest, demonstrations and protests. However, ... See full summary »
Back home, Glauco, an industrial designer, finds his wife in bed with a serious headache. She has left him dinner but it is cold and Glauco decides to prepare himself a gourmet meal. While ... See full summary »
It's the mid 1970s and the Weather Underground Organization (WUO), a radical (and violent) offshoot of the Students for a Democratic Society, explains to leftist filmmakers the difficulties... See full summary »
Bill, a wealthy businessman, confronts his junkie daughter's drug-dealing boyfriend; in the ensuing argument, Bill kills him. Panic-stricken, he wanders the streets and eventually stops at ... See full summary »
John G. Avildsen
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Millie is ... See full summary »
John Cassellis is the toughest TV-news reporter around. His area of interest is reporting about violence in the ghetto and racial tensions. But he discovers that his network helps the FBI by letting it look at his tapes to find suspects. When he protests, he is fired and goes to the 1968 Democratic National Convention in Chicago, Illinois. Written by
As noted elsewhere on this page and on the soundtracks page, the music of Frank Zappa and The Mothers of Invention was used in the nightclub scene and in the score for a couple other scenes. The individual songs were not credited. However, the band's name does appear in the end credits as "Incidental music by Mothers Of Invention." See more »
The whole world is watching! The whole world is watching!
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Studs Terkel is credited as "Our Man in Chicago". See more »
Superb integration of the political and social aspects inherent in the film medium.
Haskell Wexler's film generated much debate on just where American Cinema was headed upon its release in 1969. Its narrative revolves loosely around the relationship of a TV cameraman and a lower-class widow living in Chicago during the summer of 1968. The true focus of the film is on the Democratic National Convention and its devastating effects on that city during the "long hot summer" it was subjected to. With the care of an expert social journalist Wexler films the riot caused by the civil authority in that city with an unfaltering naturalism that Soviet Realists would kill for. His cinematographic gifts are never called into question as he edits the body of the film with patches of documentary and staged scenes. It's to the credit of the filmmaker that in one section a fellow cameraman has to admonish him as to the danger he is apparently embroiled in as he shoots a sequence. This wonderful play on the reflexivity so rarely admitted in film is reason enough to give this challenging but brilliant work of art a chance to leave its mark on you.
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