A TV news reporter finds himself becoming personally involved in the violence that erupts around the 1968 Democratic National Convention.

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2 wins & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Eileen
...
Gus
...
Ruth
Harold Blankenship ...
Harold
Charles Geary ...
Harold's Father
Sid McCoy ...
Frank Baker
Christine Bergstrom ...
Dede
William Sickingen ...
News Director
Robert McAndrew ...
Pennybaker
Marrian Walters ...
Social Worker
Beverly Younger ...
Rich Lady
Edward Croke ...
Plain-clothesman
Doug Kimball ...
Newscaster
...
Gun Clinic Manager
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Storyline

John Cassellis is the toughest TV-news reporter around. His area of interest is reporting about violence in the ghetto and racial tensions. But he discovers that his network helps the FBI by letting it look at his tapes to find suspects. When he protests, he is fired and goes to the 1968 Democratic National Convention in Chicago, Illinois. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

Beyond the age of innocence... into the age of awareness

Genres:

Drama

Certificate:

R | See all certifications »
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Details

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Release Date:

1970 (Japan)  »

Also Known As:

The Concrete Wilderness  »

Filming Locations:

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Box Office

Budget:

$800,000 (estimated)
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Company Credits

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Technical Specs

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When the film was released on video, Paramount was sued by the copyright holders of the song "Merry-Go-Round". Under their 1969 agreement, Paramount had rights to the song for showing the film in theatres and on television. Paramount argued that video release was the same as television broadcast. The courts ruled that the copyright holder in 1969 could not have considered videocassettes to be like television broadcast, as home videocassettes were not invented. See more »

Quotes

John Cassellis: Jesus I love to shoot film.
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Crazy Credits

Studs Terkel is credited as "Our Man in Chicago". See more »


Soundtracks

Who Needs the Peace Corps?
(uncredited)
Written by Frank Zappa
Performed by Frank Zappa & The Mothers of Invention
Published by Verve
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User Reviews

 
Superb integration of the political and social aspects inherent in the film medium.
13 August 1999 | by (Chicago, Illinois) – See all my reviews

Haskell Wexler's film generated much debate on just where American Cinema was headed upon its release in 1969. Its narrative revolves loosely around the relationship of a TV cameraman and a lower-class widow living in Chicago during the summer of 1968. The true focus of the film is on the Democratic National Convention and its devastating effects on that city during the "long hot summer" it was subjected to. With the care of an expert social journalist Wexler films the riot caused by the civil authority in that city with an unfaltering naturalism that Soviet Realists would kill for. His cinematographic gifts are never called into question as he edits the body of the film with patches of documentary and staged scenes. It's to the credit of the filmmaker that in one section a fellow cameraman has to admonish him as to the danger he is apparently embroiled in as he shoots a sequence. This wonderful play on the reflexivity so rarely admitted in film is reason enough to give this challenging but brilliant work of art a chance to leave its mark on you.


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