Set in the context of the Sandinista government in Nicaragua and their battle with the U.S. backed Contra rebels. Eddie Guerrero (Robert Beltran) is a Vietnam vet sent to help U.S. Special ... See full summary »
Lena, aged twenty, wants to know all she can about life and reality. She collects information on everyone and everything, storing her findings in an enormous archive. She experiments with ... See full summary »
The struggle for civil rights has been one of the most important issues of American life for the last fifty years. In August of 1963, groups from all over the country journeyed to ... See full summary »
The President of the U.S. is suceeded by his naive, wide-eyed son, and his advisors try to take advantage of the situation by planning to drop an atomic bomb on Manhattan and blaming it on the Red Chinese.
John Cassellis is the toughest TV-news reporter around. His area of interest is reporting about violence in the ghetto and racial tensions. But he discovers that his network helps the FBI by letting it look at his tapes to find suspects. When he protests, he is fired and goes to the 1968 Democratic National Convention in Chicago, Illinois. Written by
The main character was originally called "John Cassavetes" and was in fact going to be played by actor-director John Cassavetes. When he withdrew from the film due to a scheduling conflict, the character's name was changed to "John Cassellis" and Robert Forster was cast in the role. See more »
Interesting approach to revealing the world of photo-journalism, news journalism, and political activism, conceived and directed by awardwinning cinematographer Haskell Wexler. Fictional narrative features a Chicago TV news crew intertwined with actual news footage in and around the Democratic Convention of 1968.
There is a good balance between the fiction and non-fiction elements in as much as Wexler attempts to make his point. The fictional story line (a love story) is real enough to keep us watching and deflective enough to make the harsh realities of the non-fiction elements palatable.
Attention to detail defines Medium Cool as a very personal film for Wexler. There definitely is a political perspective. Second and third viewings will call attention to painstaking perfectionism in construction of shots, timing, and pace--the subject matter and cinematic approach (low budget, hand-held, docu-style) may suggest a `student film' so don't be confused. This is an extremely well-crafted highly professional product. Nice interjects of great era-defining music compliment the visuals.
Inventive, some say ground-breaking, certainly well worth watching.
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