Jacob's feet are so turned out that he walks like Charlie Chaplin. He is different because of that and decides to emigrate from Palestine to Canada, where "everyone is equal". There ... See full summary »
Izidore K. Musallam
After a chance meeting with avant garde writer Francoise, an elderly millionaire starts to manipulate her life, drawing in equally unsuspecting and happily married Mark. Francoise however ... See full summary »
Juan Luis Buñuel
Adalberto Maria Merli
In the countryside near Normandy's beaches lives Marie, unhappy. It's 1945, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his ... See full summary »
Biography of Argentinian revolutionary Ernesto "Che" Guevara, who helped Fidel Castro in his struggle against the corrupt Batista regime, eventually resulting in the overthrow of that ... See full summary »
An episodic film, telling four erotic tales: Angela isn't sexually satisfied by her husband, so she simulates sleep-walking to visit her neighbor across the street every night; when his ... See full summary »
Everyone agrees with this movie's virtues: its sets, costumes, and recreation of the era--all of which are impressively gorgeous. Kenneth Brannagh mentions that the look of the this film version influenced the setting/production design for his version of HAMLET (check out his audio commentary of the DVD, chap. 19). So MAYERLING has had its influence.
And, yes, quite a few of us recognize its shortcomings. Frankly, it doesn't possess the passion/romance one expects. Perhaps both Sharif and Deneuve are too intelligent to be believable for a romantic suicide, but whatever it is, somehow the oomph one hopes for is missing. Nevertheless, it's still fascinating, and while not as involving as the Boyer version, it's got more historical detail and background.
And yes it's worth comparing/contrasting with THE ILLUSIONIST.
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