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The Libertine (1968)
"La matriarca" (original title)

5.5
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Ratings: 5.5/10 from 350 users  
Reviews: 7 user | 8 critic

A sexy widow discovers her late husband had a secret apartment where he cheated on her. Now she decides to used the same apartment to explore her own sexuality.

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(screenplay), (story)
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Title: The Libertine (1968)

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Cast

Complete credited cast:
Catherine Spaak ...
Margherita aka as Mimi
...
Dr. Carlo De Marchi
...
Sandro Maldini (as Luigi Proietti)
...
Otto Frank aka as Mr. X
Renzo Montagnani ...
Fabrizio
Fabienne Dali ...
Claudia
Nora Ricci ...
Mimi's Mother
Edda Ferronao ...
Maria
Vittorio Caprioli ...
Il libraio
Gabriele Tinti ...
Man in Car
Venantino Venantini ...
Aurelio
Frank Wolff ...
Dr. Giulio, the dentist
Paolo Stoppa ...
Professor Zauri
Philippe Leroy ...
Tennis Instructor
Edit

Storyline

A sexy widow discovers her late husband had a secret apartment where he cheated on her. Now she decides to used the same apartment to explore her own sexuality.

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

X | See all certifications »
Edit

Details

Country:

Language:

Release Date:

23 December 1968 (Italy)  »

Also Known As:

The Libertine  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Italian censorship visa #52632 dated 14 November 1968. See more »

Quotes

Mimi: [picking up her torn dress] Were you in a particular hurry, or do you always do this?
Mr. X: I enjoy it. As a child I used to tear my schoolbooks to shreds.
Mimi: How did you ever manage to graduate?
Mr. X: I switched to women just in time.
See more »

Connections

Referenced in Video Nasties: Moral Panic, Censorship & Videotape (2010) See more »

Soundtracks

L'amore dice 'Ciao'
By Guardabassi - Armando Trovajoli (as Trovaioli)
Sung by Andee Silver
ed incisa su disco JOKER 7020
See more »

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User Reviews

 
stupid and offensive
24 November 2005 | by (California) – See all my reviews

Lord, this sucked. There's a particular sort of sexual revolution flick from the 60s that manages to confuse sexual assault with sexual liberation. This film is an example. I lost track of how many times women are slapped, hit, whipped, or spanked in the film. And then there are all the times that women in the film fantasize about being slapped, hit, whipped or spanked (you know they want it, right?). Sometimes it is ostensibly part of safe fetish play-acting. Other times it plainly isn't, but you will wait in vain to see the heroine report to authorities that she has just been raped. Instead we get to hear her being lectured by her rapist about her inability to "let go".

Every scene of this film reeks of misogyny (speaking as a straight, white, married man in his late 30's, not a teenage lesbian women's studies major with a chip on her shoulder, lest you get the wrong idea).

Perhaps the one good thing about this film is that it provides a stark reminder of just how bad things really were for women only a few short decades ago.


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