At Baycrest, an old-age home in Toronto, we follow a social worker as she talks to residents, particularly Max, Claire, Ida, and Rachel. The film opens on Claire's birthday, she's 89; Max, ... See full summary »
Award-winning actress Coleen Dewhurst is Molly Dushane, a hard-drinking, hard-living woman desperate for one last fling at life. Megan Follows is her daughter Micheline, an angry, ... See full summary »
Born of talks with four hundred disaffected teenagers in the suburban belt around Toronto, the film reflects their recurring theme: "Wouldn't it be great if we weren't hassled by parents ... See full synopsis »
A 10-year-old boy feels unwanted when his mother places him in a home for wayward children. He goes to a foster home where a family of workers finds him to be too much for them. When the ... See full summary »
After acknowledging his own immigrant background, Malle, tries to present the range of immigrant experiences in the US during the 1980's. In an attempt to be comprehensive, the film ... See full summary »
Anastasio Samosa Portocarrero
In this excoriating satire of the fashion industry, Polly Maggoo is a 20-year-old Brooklyn-born fashion model in Paris, on the runway at the big shows where magazine editor Ms. Maxwell is ... See full summary »
Lee Yong and Mi-yeon and their children work hard to save enough money to get out of their cramped apartment and into their own house. However, Mi-yeon makes a mistake and loses their ... See full summary »
The couple in the film ended up staying together until 1971 before separating, during which time they added a daughter to the family. They divorced in 1972, and Antoinette later remarried. Billy Edwards was struck by a car and killed in 1995. See more »
Like a documentary version of SCENES FROM A MARRIAGE, this is a stunning portrait of a couple falling to pieces. Billy and Antoinette allow King and his cameraman into some of the most private moments of their lives. The usual questions arise about how much the participants are putting on a show for the camera (they'd have to have some exhibitionist qualities to even agree to this) and apparently some of it is not in chronological sequence, but ultimately I feel that what we're getting is real, even if perhaps slightly heightened. The fact is that their arguments often greatly resemble ones I've had with my wife, which perhaps doesn't bode well for my own marriage (I love ya, honey!) but it definitely has the sting of truth to it. Ridiculously small disagreements become massive battles under the weight of buried, and not-so-buried, resentment. Which is not to stay that it's always war in the Edwards household... they have their tender moments. But perhaps some relationships cannot be salvaged. A very intense, gripping film that drew me in completely.
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