Norman Mailer's first feature filmmaking effort stars the director and his two longtime collaborators Buzz Farbar and Mickey Knox as a trio of gangsters holed up in a ramshackle New York apartment, drinking, braying, and fighting.
Writer, ex-con and 40-something bottle-baby Tim Madden, who is prone to black-outs, awakens from a two-week bender to discover a pool of blood in his car, a blond woman's severed head in ... See full summary »
Working class and middle-upper class worlds come together in this interesting look at class conflict within the gay world from the German director Reiner Werner Fassbinder. Fassbinder plays... See full summary »
Rainer Werner Fassbinder
Rainer Werner Fassbinder,
The fight between Norman Mailer and Rip Torn was real. Torn was outraged with Mailer's direction and attacked Mailer with a hammer. Mailer bit Torn's ear during the fight and the blood shed by both is real. See more »
This film can be considered significant only as a tribute to Norman Mailer's monumental ego. It is a total bore, and there is hardly anything memorable about it. The only thing that is memorable is a scene in which Rip Torn unexpectedly bites Mailer on the ear, hard enough to draw blood. This causes Mailer and Torn to come out of character and have a real confrontation, in which Beverly Bentley, Mailer's wife at the time, inserts herself. Other than that, completely forgettable.
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