| Photos (See all 14 | slideshow) |
| Gregory Peck | ... | Mackenna | |
| Omar Sharif | ... | Colorado | |
| Telly Savalas | ... | Sergeant Tibbs | |
| Camilla Sparv | ... | Inga | |
| Keenan Wynn | ... | Sanchez | |
| Julie Newmar | ... | Hesh-Ke | |
| Ted Cassidy | ... | Hachita | |
| Lee J. Cobb | ... | The Editor | |
| Raymond Massey | ... | The Preacher | |
| Burgess Meredith | ... | The Storekeeper | |
| Anthony Quayle | ... | Older Englishman | |
| Edward G. Robinson | ... | Old Adams | |
| Eli Wallach | ... | Ben Baker | |
| Eduardo Ciannelli | ... | Prairie Dog | |
| Dick Peabody | ... | Avila | |
| Rudy Diaz | ... | Besh | |
| Robert Phillips | ... | Monkey | |
| Shelley Morrison | ... | The Pima Squaw | |
| Robert Porter | ... | Young Englishman (as J. Robert Porter) | |
| David Garfield | ... | Adams' Boy (as John Garfield Jr.) | |
| Pepe Callahan | ... | Laguna (as Pépe Callahan) | |
| Madeleine Taylor Holmes | ... | Old Apache Woman | |
| Duke Hobbie | ... | Lieutenant | |
| Victor Jory | ... | The Narrator | |
| rest of cast listed alphabetically: | |||
| Trevor Bardette | ... | (uncredited) | |
Directed by | |||
| J. Lee Thompson | |||
Writing credits | ||
| Heck Allen | (novel) (as Will Henry) | |
| Carl Foreman | (screenplay) | |
Produced by | |||
| Carl Foreman | .... | producer | |
| Dimitri Tiomkin | .... | producer | |
Original Music by | |||
| Quincy Jones | |||
Cinematography by | |||
| Joseph MacDonald | (director of photography) (as Joseph Macdonald) | ||
Film Editing by | |||
| Bill Lenny | |||
Production Design by | |||
| Geoffrey Drake | |||
Art Direction by | |||
| Geoffrey Drake | |||
| Cary Odell | |||
Set Decoration by | |||
| Alfred E. Spencer | |||
Costume Design by | |||
| Norma Koch | |||
Makeup Department | |||
| Virginia Jones | .... | hair styles | |
Production Management | |||
| Ralph E. Black | .... | production manager (as Ralph Black) | |
Second Unit Director or Assistant Director | |||
| David Salven | .... | assistant director | |
| Tom Shaw | .... | second unit director | |
Art Department | |||
| Eugene J. Reed | .... | carpenter (uncredited) | |
Sound Department | |||
| John Blunt | .... | stereophonic dubbing: (Cine Tele Sound ) | |
| Peter Bond | .... | assistant sound editor | |
| Derek Frye | .... | sound supervisor | |
| Jeanne Henderson | .... | sound editor | |
| Bob Jones | .... | stereophonic dubbing: Shepperton Studios | |
| William M. Randall Jr. | .... | unit sound recorder (as William Randall Jr.) | |
| John Blunt | .... | sound (uncredited) | |
| Tony Dawe | .... | foley recordist (uncredited) | |
| Bob Jones | .... | sound (uncredited) | |
| Bill Taylor | .... | sound editor (uncredited) | |
Special Effects by | |||
| Daniel Hays | .... | special effects (uncredited) | |
Visual Effects by | |||
| Lawrence W. Butler | .... | special visual effects (as Larry Butler) | |
| Willis Cook | .... | special visual effects | |
| Bob Cuff | .... | special visual effects: (Abacus Productions Ltd. ) | |
| Geoffrey Drake | .... | special visual effects: (Abacus Productions Ltd. ) | |
| John Mackey | .... | special visual effects: (Abacus Productions Ltd. ) | |
| Joy Cuff | .... | matte painter (uncredited) | |
Stunts | |||
| Robert 'Buzz' Henry | .... | stunt coordinator (as Buzz Henry) | |
| May Boss | .... | stunts (uncredited) | |
| Buff Brady | .... | stunts (uncredited) | |
| Jim Burk | .... | stunts (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Joe Canutt | .... | stunts (uncredited) | |
| Fred Dale | .... | stunts (uncredited) | |
| Pete Dunn | .... | stunts (uncredited) | |
| Jeannie Epper | .... | stunts (uncredited) | |
| Bob Herron | .... | stunts (uncredited) | |
| Terry Leonard | .... | stunts (uncredited) | |
| Neil Summers | .... | stunts (uncredited) | |
| Buddy Van Horn | .... | stunt double (uncredited) | |
| Buddy Van Horn | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Donald C. Glouner | .... | additional photography (as Don Glouner) | |
| John Mackey | .... | additional photography | |
| Richard Moore | .... | additional photography | |
| Harold E. Wellman | .... | second unit photography (as Harold Wellman) | |
| Emil Oster | .... | camera operator (uncredited) | |
Editorial Department | |||
| Don Deacon | .... | associate film editor (as Donald Deacon) | |
| Lois Gray | .... | first assistant film editor | |
| John F. Link | .... | associate film editor (as John Link Jr.) | |
| Raymond Poulton | .... | associate film editor | |
Music Department | |||
| Jack Hayes | .... | orchestrations | |
| Leo Shuken | .... | orchestrations | |
| Leo Arnaud | .... | orchestrator (uncredited) | |
| Gus Levene | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Gene Clinesmith | .... | driver (uncredited) | |
| Frank Khoury | .... | driver (uncredited) | |
Other crew | |||
| José Feliciano | .... | introduced by | |
| Bobby Hoffman | .... | dialogue coach (uncredited) | |
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| Lust for Gold | Catlow | The Stunt Man | Appaloosa | Backlash |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Romance section | IMDb USA section |
With so much talent and such great location cinematography from Arizona and Utah where Mackenna's Gold was shot, you would think the film would have wound up a classic. Sadly it tries and misses by a good deal.
Gregory Peck at his noblest is a town marshal who is ambushed by old Apache chief Eduardo Ciannelli. Peck kills him and finds out that the old man thought Peck was one of a gang of outlaws after a map of a lost canyon of gold. But as Ciannelli dies, Peck inherits the map which he burns.
Turns out Peck inherits a lot more than a map. Word of what the old guy had has reached the strangest places. The U.S. Cavalry, a group of settlers from the town Peck was the marshal, and unfortunately one unscrupulous bandit played by Omar Sharif. He kidnaps Peck and since Peck knows the location of where the lost canyon allegedly is, that fact keeps him alive.
Gold does terrible things to the human soul as we discover watching this film. Part of the problem here is that Peck somehow seems to rise above the whole business. Maybe he's just a bit too noble in this film and that's my problem with it.
The townspeople are an interesting crowd, the citizens that Peck has sworn to protect turn on him quite savagely. Gambler Eli Wallach, newspaper editor Lee J. Cobb, storekeeper Burgess Meredith, a pair of traveling Englishmen, Anthony Quayle and John Philip Law who think it would be jolly good sport, and even the local preacher who convinces himself God has ordained this so he can build a tabernacle. That role is played by Raymond Massey in his final big screen performance. And of course there's Edward G. Robinson as an old prospector who claims the canyon exists because the saw it and for that the Apaches burned out his eyes.
Camilla Sparv is another of Omar Sharif's hostages who's having a big problem choosing between Peck and the gold. One of the more ridiculous sequences in the film has Sharif and his band coming across an Eden like waterhole they spend a bit of time skinny dipping and satisfying some lustful desires.
The two best performances in the film are from Julie Newmar in a role with no dialog as a murderous Indian squaw who travels with Sharif's band and has a personal score to settle with Peck and from Telly Savalas as a cavalry sergeant who murders his own men and declares himself in on the gold hunt.
Hovering over the characters in the sky throughout the film is an old turkey buzzard and a song is sung intermittently throughout the film by Jose Feliciano. It's a kind of running commentary, the way some of the westerns in the fifties had Frankie Laine and other singers performing the same function.
A lot of the same themes were done better twenty years earlier in Columbia films classic Lust for Gold that starred Glenn Ford and Ida Lupino. Mackenna's Gold is an entertaining enough western, but considering all the talent in this film it should have been a lot better.