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The gangster Colorado kidnaps Marshal McKenna. He believes that McKenna has seen a map which leads to a rich vein of gold in the mountains and forces him to show him the way. But they're not the only ones who're after the gold; soon they meet a group of "honorable" citizens and the cavalry crosses their way too - and that is even before they enter Indian territory. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The film was originally planned to be shown in single lens Cinerama with reserved seat roadshow engagements, but Columbia execs changed their minds and pulled the plug on that idea. The film was drastically cut down from nearly three hours plus an intermission to just over two hours. Although most of the film was photographed on 65mm stock, to save a buck, a handful of scenes were filmed in 35mm anamorphic and then optically blown up with disastrous results. The blown-up scenes are exceedingly grainy and have bad color. See more »
When Colorado holds onto Mackenna's hair, in some shots there is hair falling over Mackenna's forehead and in others there is not. See more »
With so much talent and such great location cinematography from Arizona and Utah where Mackenna's Gold was shot, you would think the film would have wound up a classic. Sadly it tries and misses by a good deal.
Gregory Peck at his noblest is a town marshal who is ambushed by old Apache chief Eduardo Ciannelli. Peck kills him and finds out that the old man thought Peck was one of a gang of outlaws after a map of a lost canyon of gold. But as Ciannelli dies, Peck inherits the map which he burns.
Turns out Peck inherits a lot more than a map. Word of what the old guy had has reached the strangest places. The U.S. Cavalry, a group of settlers from the town Peck was the marshal, and unfortunately one unscrupulous bandit played by Omar Sharif. He kidnaps Peck and since Peck knows the location of where the lost canyon allegedly is, that fact keeps him alive.
Gold does terrible things to the human soul as we discover watching this film. Part of the problem here is that Peck somehow seems to rise above the whole business. Maybe he's just a bit too noble in this film and that's my problem with it.
The townspeople are an interesting crowd, the citizens that Peck has sworn to protect turn on him quite savagely. Gambler Eli Wallach, newspaper editor Lee J. Cobb, storekeeper Burgess Meredith, a pair of traveling Englishmen, Anthony Quayle and John Philip Law who think it would be jolly good sport, and even the local preacher who convinces himself God has ordained this so he can build a tabernacle. That role is played by Raymond Massey in his final big screen performance. And of course there's Edward G. Robinson as an old prospector who claims the canyon exists because the saw it and for that the Apaches burned out his eyes.
Camilla Sparv is another of Omar Sharif's hostages who's having a big problem choosing between Peck and the gold. One of the more ridiculous sequences in the film has Sharif and his band coming across an Eden like waterhole they spend a bit of time skinny dipping and satisfying some lustful desires.
The two best performances in the film are from Julie Newmar in a role with no dialog as a murderous Indian squaw who travels with Sharif's band and has a personal score to settle with Peck and from Telly Savalas as a cavalry sergeant who murders his own men and declares himself in on the gold hunt.
Hovering over the characters in the sky throughout the film is an old turkey buzzard and a song is sung intermittently throughout the film by Jose Feliciano. It's a kind of running commentary, the way some of the westerns in the fifties had Frankie Laine and other singers performing the same function.
A lot of the same themes were done better twenty years earlier in Columbia films classic Lust for Gold that starred Glenn Ford and Ida Lupino. Mackenna's Gold is an entertaining enough western, but considering all the talent in this film it should have been a lot better.
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