| Ulli Lommel | ... | Bruno | |
| Hanna Schygulla | ... | Johanna | |
| Katrin Schaake | ... | Dame im Zug | |
| Liz Soellner | ... | Zeitungsverkäuferin | |
| Gisela Otto | ... | 1. Prostituierte | |
| Ursula Strätz | ... | Fette Prostituierte | |
| Monika Nüchtern | ... | Kellnerin beim Türken (as Monika Stadler) | |
| Hans Hirschmüller | ... | Peter | |
| Les Olvides | ... | Georges | |
| Peer Raben | ... | Jürgen (as Wil Rabenbauer) | |
| Howard Gaines | ... | Raoul | |
| Peter Moland | ... | Leiter des Syndikatsverhörs | |
| Kurt Raab | ... | Aufsichtsperson im Kaufhaus | |
| Peter Berling | ... | Illegaler Waffenhändler | |
| Anastassios Karalas | ... | Türke | |
| Rudolf Waldemar Brem | ... | Motorradpolizist | |
| Yaak Karsunke | ... | Kommissar | |
| Hannes Gromball | ... | Kunde bei Joanna | |
| rest of cast listed alphabetically: | |||
| Ingrid Caven | ... | 2. Prostituierte (uncredited) | |
| Rainer Werner Fassbinder | ... | Franz (uncredited) | |
| Wolfgang Gmoch | ... | Polizist (uncredited) | |
| Irm Hermann | ... | Sonnenbrillenverkäuferin (uncredited) | |
| Thomas Hill | ... | Wärter (uncredited) | |
| Gottfried Hüngsberg | ... | Polizist (uncredited) | |
| Franz Maron | ... | Polizist (uncredited) | |
Directed by | |||
| Rainer Werner Fassbinder | |||
Writing credits(in alphabetical order) | ||
| Rainer Werner Fassbinder | writer | |
Produced by | |||
| Irm Hermann | .... | assistant producer | |
| Peer Raben | .... | producer | |
| Thomas Schamoni | .... | producer | |
Original Music by | |||
| Holger Münzer | |||
| Peer Raben | |||
Cinematography by | |||
| Dietrich Lohmann | |||
Film Editing by | |||
| Rainer Werner Fassbinder | (as Franz Walsch) | ||
Production Design by | |||
| Rainer Werner Fassbinder | |||
| Ulli Lommel | |||
Production Management | |||
| Christian Hohoff | .... | unit production manager | |
| Peer Raben | .... | unit production manager (as Wil Rabenbauer) | |
Second Unit Director or Assistant Director | |||
| Martin Müller | .... | assistant director | |
| Katrin Schaake | .... | assistant director | |
Sound Department | |||
| Gottfried Hüngsberg | .... | sound | |
Camera and Electrical Department | |||
| Herbert Paetzold | .... | assistant camera | |
| Peter Wagner | .... | lighting technician | |
Editorial Department | |||
| Katrin Schaake | .... | assistant editor | |
Other crew | |||
| Christian Hohoff | .... | production coordinator | |
| Katrin Schaake | .... | script supervisor | |
Thanks | |||
| Claude Chabrol | .... | dedicatee | |
| Eric Rohmer | .... | dedicatee | |
| Jean-Marie Straub | .... | dedicatee | |
| Gian Maria Volonté | .... | dedicatee | |
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| Gun Smoke | Bon voyage | Don | Starsky & Hutch | Ek: The Power of One |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb West Germany section |
A man (Fassbinder himself) is sitting on an armchair, reading the newspaper. Another man walks into frame asks Franz (Fassbinder's character's name) for a cigarette and when he's told 'no!' he takes the newspaper and drops it down on the floor. Franz gets up and beats up the guy. The plot continues: Franz is ordered into this room to work for a criminal syndicate but he wants to be his only chief himself. Franz meets Bruno, a man who works for the syndicate, and they become very good friends. Some days later they meet again and we recognize that Franz is a pimp. Bruno falls in love with Franz' girlfriend (played by Hanna Schygulla) and together they start to rob banks. It is the last coup when Hanna Schygulla calls the police. Bruno is shooten down by some policemen and Fassbinder and Schygulla flee in their car.
The plot is almost as short as Godard's 'Breathless' and I think that that was what Fassbinder really wants to show with this film. When you cinema after seeing this film you don't remember a plot but very much more a feeling - a feeling of social isolation of the main characters, a feeling of loneliness.
In my opinion this is one of the best Fassbinder movies, even if it's not appraised as that good by most of the critics.