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Der Leone Have Sept Cabeças (1970)

 |  Drama  |  1971 (France)
6.8
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Ratings: 6.8/10 from 109 users  
Reviews: 3 user | 2 critic

A Latin-American insurgent and a black leader join forces to free an African nation. But they'll have to face a German mercenary aided by an American agent and a Portuguese advisor, all working for a mysterious woman.

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Title: Der Leone Have Sept Cabeças (1970)

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Cast

Credited cast:
Rada Rassimov ...
Marlene
Giulio Brogi ...
Pablo
Gabriele Tinti ...
American Agent
...
Preacher
Aldo Bixio ...
Mercenary
Baiack ...
Zumbi
Reinhard Kolldehoff ...
Governor
Rest of cast listed alphabetically:
Hugo Carvana ...
Portuguese
Segolo Dia Manungu
Miguel ...
Samba
Pascal N'Zonzi
Rosa Maria Penna
Andre Segolo ...
Xobu
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Storyline

A Latin-American insurgent and a black leader join forces to free an African nation. But they'll have to face a German mercenary aided by an American agent and a Portuguese advisor, all working for a mysterious woman.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

| |

Language:

Release Date:

1971 (France)  »

Also Known As:

Der Löwe mit den sieben Köpfen  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Connections

Featured in Glauber o Filme, Labirinto do Brasil (2003) See more »

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User Reviews

Rare, Bizarre, and Kinda Slow
16 May 2001 | by (Brooklyn, New York) – See all my reviews

I'm simply reviewing this film for one reason...I'm a big Jean Pierre Leaud fan. I would not have normally sat through a film that I couldn't even read the subtitles of, but J. P. Leaud seems to hold some weird spell over me and gets me to commit half of my movie viewing life on his output (as boring and slow as that output can be sometimes). Well, not being able to read the subtitles obviously impairs my grasp on the narrative, because I couldn't make much sense of the visuals. The film opens with a man's hands grasping on some woman's breasts while he's yelling like a mad man. Then it jumps to a scene of Jean Pierre Leaud shouting out loud (in French) a lot words while hammering at the ground with a big hammer (or something resembling such) while African natives look on the scene. Then it cuts to some African chanting and dancing, in some Mondo looking footage (but nothing seems to be going on here, really) and it feels like a documentary without narration. Incorporated in all of this looks to be some political angle, with millitant soldiers marching around opressing everyone, and Jean Pierre Leaud (wearing a white nightgown) getting into the scenes with that hammer of his. One scene in particular has the soldiers marching in circles, while the natives chant the same thing for what seems like 15 MINUTES! I thought I was in some kind of cinematic redundency torture! But being a good sport, and carrying on some Leaud one man fan club, I sat through this damn thing to the end. The film is shot in black and white (I'm not sure if this was for artistic reasons or budget restrictions?) and has the feel of an Art Film. This is basically a Foreign Film Phobic's nightmare. If you don't like pretentious French Art Films, then you'll probably last about two minutes through this film (then again, you probably won't stumble across this film or review anyways). I really wish I could have read the subtitles, because I'm sure I'm not giving this film a fair review. If a Jean Pierre Leaud fan is out there searching for this film, don't look too hard. I've a feeling that you'll be sadly disapointed. I'd love to understand this film, and not to be writing some moronic review about something that's over my head. In the end, I found it be really weird and very slow. A real endurance test and no mistake. But I still like Jean Pierre Leaud a lot!


4 of 8 people found this review helpful.  Was this review helpful to you?

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