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IMDb > Last of the Mobile Hot Shots (1970)

Last of the Mobile Hot Shots (1970) More at IMDbPro »

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Overview

User Rating:
5.4/10   75 votes
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Down 6% in popularity this week. See why on IMDbPro.
Director:
Writers:
Tennessee Williams (play)
Gore Vidal (screenplay)
Contact:
View company contact information for Last of the Mobile Hot Shots on IMDbPro.
Genre:
Plot Keywords:
User Reviews:
One of the most bizarre things I've ever seen more (1 total)

Cast

  (Credited cast)

James Coburn ... Jeb
Perry Hayes ... George

Robert Hooks ... Chicken
Reggie King ... Rube

Lynn Redgrave ... Myrtle
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Additional Details

Also Known As:
Blood Kin
The Seven Descents of Myrtle
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Runtime:
100 min
Country:
Language:
Color:
Color (Technicolor)
Sound Mix:
Certification:
USA:R | USA:X (original rating)

Fun Stuff

Trivia:
The original name of this 'Tennessee Williams (I)' was "The Seven Descents of Myrtle" and opened at the Ethel Barrymore Theater in New York on May 27, 1968 and ran for 29 performances. more

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12 out of 18 people found the following review useful.
One of the most bizarre things I've ever seen, 15 March 2002
Author: budikavlan from Irving, TX

This is clearly lesser Tennessee Williams, and must be seen to be believed. Lynn Redgrave's character and James Coburn's character get married on a TV show (despite the fact that they barely know each other) and return to his family's derelict plantation. The only other occupant is his half-brother (Hooks). The action of the film involves Redgrave going back and forth between the two men while they flash back to scenes of their dissolute past. All the while, the river is threatening to overrun its banks. That's it. That's the film. I like Williams' major works as much as most people, though to be honest, I usually prefer the "cleaned up" Hollywood versions of his stories, not because of the sanitized plots but because of clarity. But lesser-known plays like "Seven Descents of Myrtle" (on which this film is based) and "The Milk Train Doesn't Stop Here Anymore" (on which "Boom!" is based lack even the compelling elements of his more familiar dramas. When producers tried to cash in on Williams's good name by buying up everything he ever did, they ended up making puzzling junk like this.

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