| Frederick Stafford | ... | Captain Paul Stevens | |
| Van Johnson | ... | Air Marshal George Taylor | |
| Francisco Rabal | ... | Martin Donovan | |
| Ida Galli | ... | Meg (as Evelyn Stewart) | |
| Luigi Pistilli | ... | Maj. Krueger | |
| Renzo Palmer | ... | Sgt. Donald Mulligan | |
| Luis Dávila | ... | Jacques | |
| Christian Hay | ... | Gaston | |
| Jacques Berthier | ... | Colonel Smith | |
| Teresa Gimpera | ... | Sheila | |
| George Rigaud | ... | British general | |
| Eduardo Fajardo | ... | German officer | |
| Ugo Adinolfi | |||
| Umberto Di Grazia | |||
| Ricardo Valle | |||
| rest of cast listed alphabetically: | |||
| Edy Biagetti | ... | Karl (uncredited) | |
| Ángel del Pozo | ... | English airman (uncredited) | |
| Alfredo Mayo | ... | English officer (uncredited) | |
| Walter Patriarca | ... | Cameraman at Dunkirk (uncredited) | |
| Alfonso Rojas | ... | English officer (uncredited) | |
Directed by | |||
| Enzo G. Castellari | |||
Writing credits | ||
| Tito Carpi | (story) & | |
| Vincenzo Flamini | (story) & | |
| José Luis Martínez Mollá | (story) (as José Martinez Molla) & | |
| Gilles Morris-Dumoulin | (story) (as Gilles Dumoulin) & | |
| Enzo G. Castellari | (story) | |
| Tito Carpi | (screenplay) & | |
| Vincenzo Flamini | (screenplay) & | |
| José Luis Martínez Mollá | (screenplay) (as José Martinez Molla) & | |
| Gilles Morris-Dumoulin | (screenplay) (as Gilles Dumoulin) & | |
| Enzo G. Castellari | (screenplay) | |
Produced by | |||
| Edmondo Amati | .... | producer (uncredited) | |
Original Music by | |||
| Francesco De Masi | |||
Cinematography by | |||
| Alejandro Ulloa | |||
Film Editing by | |||
| Vincenzo Tomassi | (as Vincent Thomas) | ||
Production Design by | |||
| Alberto Boccianti | |||
| Adolfo Cofiño | |||
Set Decoration by | |||
| Gianfranco Ramacci | (as Gianfrancesco Ramacci) | ||
Makeup Department | |||
| Giancarlo De Leonardis | .... | key hair stylist | |
| Carlos Nin | .... | makeup artist | |
| Josefa Pérez | .... | hair stylist (as Josefina Pérez) | |
| Carlo Sindici | .... | makeup artist | |
Production Management | |||
| Maurizio Amati | .... | production supervisor | |
| Francesco Campitelli | .... | production manager | |
| Francisco Enriquez | .... | production supervisor | |
| Luis Méndez | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mariano Canales | .... | assistant director (as Mario Canales) | |
| Giorgio Ubaldi | .... | assistant director: aerial unit | |
Art Department | |||
| Adolfo Cofiño | .... | architect | |
Sound Department | |||
| Gianni D'Amico | .... | sound mixer | |
| Antonio Moretti | .... | boom operator | |
| Pablo Pérez | .... | sound effects | |
| Pietro Vesperini | .... | sound engineer | |
Special Effects by | |||
| Eugenio Ascani | .... | special effects | |
| Emilio Ruiz del Río | .... | special effects aerial unit | |
Camera and Electrical Department | |||
| Giovanni Bergamini | .... | camera operator (as Gianni Bergamini) | |
Editorial Department | |||
| Gianfranco Amicucci | .... | assistant editor | |
Music Department | |||
| Francesco De Masi | .... | musical director | |
Other crew | |||
| Isabel Mulá | .... | script supervisor | |
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| The Battle of El Alamein | From Hell to Victory | Anzio | Death in Venice | 'Merika |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
This is a surprisingly elaborate war film which tackles the same events as the big-budgeted BATTLE OF Britain (1969), but from an entirely different perspective - the infiltration of German spies into London prior to the Luftwaffe's aerial attack in order to destroy the RAF's infallible radar system, and British Captain Frederick Stafford's efforts to root them out in time.
While the generally slick presentation belies the modest funds that were obviously available, the overall achievement is still hurt by too much concession to elements particular to lowbrow film-making and especially some grating comic relief (culminating in a brawl between British and French soldiers) provided by Renzo Palmer - but there's also a baffling over-emphasis on the heroics of a French air ace (who's not even a major character!), as well as obviously choreographed stuntwork...not to mention the fact that every revelation in unmasking the Nazi plot is left to the ingenuity of one man, which makes one wonder just what would have become of Great Britain if Stafford hadn't been there!! Besides, even if I was watching the film in Italian, the fact that none of the cast is British or German is inescapable - which certainly doesn't award it any marks for authenticity!
Castellari's often flashy direction doesn't work either: shooting from odd angles (through a bullet hole in a helmet, through a pair of clasped hands or through a loudspeaker!) and utilizing distracting editorial techniques, such as his playful use of the split-screen - which is partially lost anyway, given that the aspect ratio on the print I watched has been changed from the original 2.35:1 to 1.85:1! The action-packed film (with a couple of romances thrown in for good measure) is enjoyable in itself but, even if flawed, BATTLE OF Britain is clearly superior (the familiar Euro-Cult faces here are no match for the roster of Britsh stars which populate that film!) - though they did engage the services of Bunuel regular Francisco Rabal (as a conscientious German) and American Van Johnson(!) as the British RAF officer in charge of the country's defense (who, in the final decisive action, takes to the skies himself to repel the invading Nazi forces).