The Dutch East Indies, in the late 19th century. Capt. Hanson of the "Batavia Queen" is preparing to embark on a salvage expedition. His mistress, Laura, knows the location of a ship ... See full summary »
Racked by earthquakes and volcanos, Japan is slowly sinking into the sea. A race against time and tide begins as Americans and Japanese work together to salvage some fraction of the ... See full summary »
The Dutch East Indies, at the end of the nineteenth century. An adventurous captain of an American merchant vessel is looking for a sunken Dutch vessel containing 10,000 precious diamonds. ... See full summary »
Mike, a famed racing driver and an old flame of hers, is worried that Laura may be ill. Tricking her into a doctor's examination, she discovers she is; a brain operation to remove a tumor ... See full summary »
Set in the ancient past when humans and dinosaurs lived together, a small tribe is struggling to survive by giving a sacrifice of a blond woman to their god, the sun, in return for ... See full summary »
Burt Lancaster plays a pirate with a taste for intrigue and acrobatics who involves himself in the goings on of a revolution in the Caribbean in the late 1700s. A light hearted adventure ... See full summary »
Gregory Lind is the junior priest at Our Lady of the Assumption, a Catholic parish in Albuquerque, New Mexico. Life at the parish is not perfect for Greg, as he is beginning to have ... See full summary »
As a gang of youths terrorizes a city, the weary chief of police finds himself caught between the citizens who cry for blood and a catholic priest who believes the boys will respond to ... See full summary »
The Dutch East Indies, in the late 19th century. Capt. Hanson of the "Batavia Queen" is preparing to embark on a salvage expedition. His mistress, Laura, knows the location of a ship belonging to her late husband, a shipwreck concealing a cargo of rare pearls. A diver and a diving bell are aboard ship. But a government agent coerces Hanson into accepting a shipment of convicts for the ship's hold. The wreck lies dangerously close to the erupting volcano on the island of Krakatoa, where Laura's young son attends the convent school... Written by
During filming, the Cinerama cameras made so much noise that they drowned out the dialogue. All of the dialogue spoken in the film was re-recorded in post-production. See more »
Near the start of the film, some boys are looking at the volcano through wooden tubes. As they do not have any lenses, all this would do would be to restrict the boys' field of view. See more »
This film was shot using Super Panavision 70 and Todd-AO formats for presentation in single-strip Cinerama. The opening title sequence has the image devided into three frames just like the original three-strip Cinerama. See more »
Waited years to see this, and could've kept waiting but for the suspense of waiting
I have been waiting since 1969 to see this, since it wasn't available on tape, and finally saw it on DVD on widescreen TV, home theater sound, etc, to get as close to the movie theater experience as possible. Too bad, because while the spectacle of all the adventure and effects are grand, the acting, dialog and direction borders on insipid. The director, Kowalski, was interesting with his two 50's sci-fi horror flicks, he was and has been basically a TV director and it shows here. He never really uses the big screen, not to mention Cinerama, to it's potential. He doesn't use the great (like Sal Mineo) and good (like Brian Keith) actors to their full potential. The effects are nice enough, but the same shots are used too often. Where there should be build up of suspense, there's only tedium and passing the time, much like typical 70s network TV fare. The writing is uninspired and much of the dialog is weak. There's plenty of dramatic plot elements to bring together and hit us in the gut, such as the woefully unexplored relationship of Mineo and Jacquie Chan, and this would have been great with a director the caliber of David Lean or Robert Wise. The first 15 minutes are very good and made me think it would be as good as, say, The Sand Pebbles, but alas, no. In the hands of an inspired talent, I dare say it could have had several academy award nominations, including Brian Keith for supporting actor, and it could have run nearly 3 hours and still have been engrossing. Well, MGM wasn't up to snuff in 1968-69, and so this is what we got. Normally, I'd give a 6 to a film like this, but it gets 4 because of all of the wasted potential. Could be a good remake though!
10 of 12 people found this review helpful.
Was this review helpful to you?