In Alexandria, in 1938, Darley, a young British schoolmaster and poet, makes friends through Pursewarden, the British consular officer, with Justine, the beautiful and mysterious wife of a ...
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Justine is a nubile young virgin cast out of a French orphanage and thrust into a depraved world of prostitution, predatory lesbians, a fugitive murderess, bondage, branding, and one ... See full summary »
North Africa, December 1942. Valentin, a professional gardener ruined by the bombings of 1940, has fled to Tunis, where he traffics stolen goods, transporting them from Libya to Tunisia on an old boat.
Philippe de Broca
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In Alexandria, in 1938, Darley, a young British schoolmaster and poet, makes friends through Pursewarden, the British consular officer, with Justine, the beautiful and mysterious wife of a Coptic banker. He observes the affairs of her heart and incidentally discovers that she is involved in a plot against the British, meant to arm the Jewish underground in Palestine. The plot finally fails, Justine is sent to jail and Darley decides to return to England. Written by
During shooting, George Cukor told an interviewer that the film would very likely be near to three hours long, but when it finally emerged in cinemas, it was under two hours. Cukor never went into detail about what had been cut, but was always very reserved when discussing the film. See more »
When the hell are you going to stop being an old sin-cushion - into which we all have to thrust our rusty pins!
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In 1938 Alexandria, a British schoolmaster (Michael York) befriends the wife of a banker named Justine (Anouk Aimee), a mysterious woman whom he meets through a British officer (Dirk Bogarde). She's actually a prostitute and political activist.
Darley, the York character, finds out that Justine is heavily involved with an anti-British plot to give arms to the Jewish underground in Palestine.
This uneven film is based on Lawrence Durrell's collection, "The Alexandria Quartet." The film is pretty unsuccessful, though there are still signs of director Cukor's hands - he took over from the original director. The film seems like it starts in the middle. Nice photography, good music, but it doesn't hang together. Michael York, Dirk Bogarde, and John Vernon are all good; Aimee does okay. Apparently she and Cukor didn't get along. She gives a somewhat confusing performance.
Can't really recommend it.
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