Charlie's got a 'Job' to do. Having just left prison, he finds one of his friends has attempted a high risk job in Italy right under the nose of the Mafia. Charlie's friend doesn't get very far so Charlie takes over the 'Job'. Using three Mini Coopers, a couple of Jaguars and a bus, he hopes to bring Torino to a standstill, steal the Gold and escape. Written by
Andy Topham <email@example.com>
This is a movie primarily about cars and driving. Michael Caine could not drive at the time the movie was made, and in fact, he is never seen driving a car. The only time in the movie that Charlie Croker is assumed to be driving, is the cut between when he picks up his Aston Martin at the garage, and in the next shot, when we see it arrive outside the hotel. But Michael Caine gets out of a stationary Aston Martin after a further cut. Throughout the drive to Turin, and the entire heist, Croker is always a passenger. See more »
Obvious dummies when the police car crashes through the gate at the end of the sewer. See more »
A rollicking heist flick with the best car chase ever put on film
"The Italian Job" is a comedic heist film that is mostly renowned for the extended car chase getaway. In it, a thief recently released from prison (Michael Caine) organizes a scheme to steal a shipment of gold bars by creating a massive traffic jam and using a trio of Mini Coopers to escape with the loot.
The cast is pretty decent with the always dependable Caine perfectly cast as charismatic thief Charlie Croker, Noel Coward as the incarcerated backer of the titular job and Benny Hill in a small role as a computer expert obsessed with plump women. Besides that there's no-one worth remarking on and not much acting that isn't up to snuff.
The script is bold and inventive with much of the humour being understated and unpredictable. The heist itself is clever but the staging of the getaway is a real work of art. Again, there is an inventiveness that is quite refreshing. Nevertheless, I was starting to get a little tired of waiting for the heist to be set in motion. Finally, the ending caps the proceedings in memorable fashion.
The direction by Peter Collinson is solid and above average for an action-comedy. The music, handled by Quincy Jones, is memorable but also characteristic of the era, meaning that it is unlikely to appeal to all tastes.
If you're looking for a lighthearted crime caper this is just the ticket. I particularly recommend the film since it includes what is, in my opinion, the best car chase ever filmed.
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